The VESTA Aspire 41 is the ideal compact, lightweight and stylish daypack for a DSLR or CSC (Compact System Camera) with medium lens attached, 4-5 additional lenses, flash, accessories, a travel tripod and personal essentials such as wallet, phone, water bottle.

Weighs just 770g
External dimensions 255 × 220 × 465mm
Rear access, but can be adapted for top access to your camera
Well-padded all round to keep your kit safe
Well organized with multiple pockets for all essentials
Secure full zip closure
Functionality that doesn't compromise on design
Transforms into an everyday bag by removing the inserts
This great looking backpack will help you explore your world in style.

The VESTA Aspire 41 is the ideal compact, lightweight and stylish daypack for a DSLR or CSC (Compact System Camera) with medium lens attached, 4-5 additional lenses, flash, accessories, a travel tripod and personal essentials such as wallet, phone, water bottle.

Weighs just 770g
External dimensions 255 × 220 × 465mm
Rear access, but can be adapted for top access to your camera
Well-padded all round to keep your kit safe
Well organized with multiple pockets for all essentials
Secure full zip closure
Functionality that doesn't compromise on design
Transforms into an everyday bag by removing the inserts
This great looking backpack will help you explore your world in style.

Key Features
102MP 43.8 x 32.9mm BSI CMOS Sensor
X-Processor 4 Image Processor
4K30 Video; F-Log Gamma, 12-Bit Raw Out
3.69m-Dot OLED EVF
3.2" 2.36m-Dot Tilting Touchscreen LCD
5-Axis Sensor-Shift Image Stabilization
425-Point Phase-Detection Autofocus
ISO 100-12800, up to 5 fps Shooting
400MP Pixel Shift Multi-Shot
19 Film Simulation Modes
Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.

At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to an ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.

Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2" touchscreen LCD with a three-way tilting design.

102MP BSI CMOS Sensor and X-Processor 4
Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100S is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
UHD and DCI 4K Video Recording
Utilizing the large sensor size for more than just stills, the GFX 100S also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
Sensor-Shift Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake to better suit handheld shooting. This system works in conjunction with any lens, including non-stabilized ones, but when used with OIS-enabled lenses offers up to approximately 6 stops of shake reduction.
Body Design
Updated body shape is noticeably more compact and lightweight than previous GFX 100 models, making it especially well-suited for handheld shooting on location and in studio environments.
Magnesium alloy body construction is both lightweight and durable, and the camera system is weather sealed to render it moisture- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
Fixed 3.69m-dot OLED electronic viewfinder is featured for high-resolution, 0.77x-magnification eye-level viewing.
A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique three-way tilting design that moves both upward and downward for shooting from high and low angles, and also tilts to the side to benefit shooting in the vertical orientation when in live view.
Single NP-W235 rechargeable lithium-ion battery is rated to provide approximately 460 shots per charge.
Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
A 1.8" sub-LCD monitor on the top plate can be used to quickly view shooting settings and exposure data.
Exposure mode dial on the top plate also incorporates six custom positions for quickly switching between pre-configured exposure settings.
Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
Hybrid Autofocus System
The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers fast and accurate focusing performance along with low-light sensitivity down to -5.5 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.
Other Camera Features
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including the newly introduced Nostalgic Neg. effect, along with Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
Pixel-Shift Multi-Shot mode is capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.

Key Features
Load Capacity: 77.2 lb
Maximum Height: 63"
Folded Length: 22.8"
Leg Sections: 4
Weight: 5.7 lb
Twist Locks
10 Layers of Torayca Carbon Fiber
6061 and 7075 Aluminum Machined Parts
Stainless-Steel Spikes and Rubber Feet
75mm Video Bowl Included
The Leofoto LN-364C Carbon Fiber Tripod has 10 layers of Torayca carbon fiber, used to construct its legs, along with 6061 and 7075 CNC machined aluminum hardware. The tripod has a load capacity of 77.2 lb, which is suitable for small mirrorless, DSLR, and large format cameras. The leg's 4 sections unlock via twist locks, and the support extends to a maximum working height of 63". Because of its 4 sections, the tripod folds down to a compact 22.8", and only weighs 5.7 lb.

At the yoke of the tripod, it features a 75mm video bowl adapter, which is compatible with video heads that have the same size half ball, and a safety release button, which prevents the top plate from falling out, is located on the side of the yoke. In addition, the rubber feet unscrew, and can be replaced by stainless-steel spikes that can be driven into snow or soft ground to stabilize the support.

Legs have 10 layers of Torayca carbon fiber with 6061 and 7075 aluminum CNC machined hardware
The 4-section tripod extends via its twist locks to a maximum height of 63" and folds down to 22.8"
An included 75mm video bowl adapter that is compatible with half balls of the same size
The support weighs 5.7 lb , and it has a load capacity of 77.2 lb
Stainless-steel spikes replace rubber feet, so the tripod legs are driven into soft ground to stabilize the support
In the Box
Leofoto LN-364C Carbon Fiber Tripod
Multi-Functional Wrench Holder
Tripod Bag
75mm Bowl Adapter
3 x Stainless-Steel Spikes

Brand LEOFOTO
Compatible Devices Camera, IPhone
Material Aluminum
Item Weight 233 Grams
Maximum Height 16.1 Centimeters
Tripod Head Type Ball Heads
Minimum Height 77 Millimeters
About this item
Folded height: 191mm Min height: 77mm Weight: 233g Max load when fully open: 5kg Locked Angles : 35° / 55° / 85°

Key Features
Knobs for Pan, Tilt & Tension
77 lb Load Capacity
Quick-Release Plate with Anti-Twist Pins
Arca-Style Clamp for Quick Release
90° Tilt, 360° Pan
CNC-Machined Aluminum Alloy
The Sirui K-40X Ball Head is an extremely sturdy head with control knobs for pan, tilt, and tension, plus an Arca-style clamp for the included quick-release plate. The pan, tilt, and quick-release knobs are all separate, while the tension knob is integrated into the ball-locking (tilt) knob. The head tilts 90° for portrait orientation. There's also a video pin on the plate to keep camcorders from twisting.

The interior ball locking of the K-40X head has a sphere tolerance of 0.01mm, and it's equipped with an orientation-memory locking dial. This helps yield a high load capacity of 77 lb. The quick-release clamp features a secondary release button that prevents any inadvertent disengagement of the camera/plate from the clamp, thereby adding to the head's overall security and stability. The Arca-style platform conforms to standard sizes, so you can use compatible plates from other manufacturers.

The three control knobs allow a photographer to exercise extremely fine control over the orientation of the camera, whether it's a DSLR, 35mm, medium-format camera, or even a camcorder. Pan, for instance, can be adjusted while the tilt stays locked, enabling precise movement that's measurable – there are degree markers at the panning base for panoramic photography.

The K-40X is CNC-machined from an aircraft-grade aluminum alloy and anodized with an oxidation treatment that ensures a durable, high-quality finish.

Arca-style quick-release clamp with secondary safety lock
Two bubble levels (horizontal and vertical) on the quick-release platform ensure that your framing hews to the horizon in either portrait or landscape orientation
The friction-control knob, integrated into the ball-locking knob, allows the operator to adjust the resistance of the ball's movement
Quick-release plate is aluminum alloy with a rubberized surface
Stainless steel camera screw

Step Up Lens Filter Adapter Rings - Set of 9 - Allows You to Fit Larger Size Lens Filters on a Lens with a Smaller Diameter - Sizes: 37-49, 49-52, 52-55, 55-58, 58-62, 62-67, 67-72, 72-77, 77-82 mm
When you buy a new lens with a different diameter, you don't want to buy another set of filters for it.
This set of Lens Filter Adapter Rings allow you to fit a larger size lens filter onto a lens with a smaller diameter.
Step up to a maximum of 9 sizes from 37 mm to 82 mm. Adapter rings included in this package: 37-49 mm, 49-52 mm, 52-55 mm, 55-58 mm, 58-62 mm, 62-67 mm, 67-72 mm, 72-77 mm and 77-82 mm.
Each Lens Filter Adapter Ring is made of durable anodized aluminum. They will last much longer than plastic adapter rings.
Other CamKix accessories are available to protect, clean or enhance the pictures/video footage of your phone, DSLR, drone or action camera.

Key Features
For Beginning Landscapes and Seascapes
V7 100mm Filter Holder
True Color Circular Polarizing Filter
1x 100 x 100mm ND Filter
1x 100 x 150mm Graduated ND Filter
Compatible with Wide Angle Lenses
67mm, 72, 77mm, and 82mm Adapter Rings
Air Blower, Dust Brush, & Cleaning Cloth
82mm Lens Cap
Caddy Filter Pouch
This 100mm V7 Starter Kit from NiSi features the V7 100mm Filter Holder, with a capacity of up to three 100mm-wide, 2mm-thick rectangular filters. It includes a true color Circular Polarizing Filter, which is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarizers may create.

This kit contains a neutral density filter, a medium-edge graduated neutral density filter, which can be used individually or together for greater control over shutter speed and aperture settings. Separately available additional filters can be added when desired.

This kit includes adapter rings making it compatible with most lenses, additional adapter rings are available separately. When working with lenses as wide a full-frame equivalent 16mm, the slim aluminum frame of the V7 will not vignette. In addition, an air blower, dust brush, and microfiber cleaning cloth help to keep the filters clean, in studio or on location. The included Caddy Filter Pouch stores the complete kit for storage or transport.

Key Features
Adds Soft Mist to Entire Image
Softens Skin Tones and Reduces Blemishes
Creates a Dreamlike Atmosphere
1x Filter Factor / 0-Stop
Aluminum Filter Ring
The Allure Soft White Filter from NiSi diffuses and softens strong light entering the lens and produces a diffused glowing effect. This filter fits lenses with a 67mm filter thread, and it renders a soft, ethereal image with little loss of clarity or detail. This filter works by diffusing the light entering the lens with small particles; by spreading the light more evenly, a soft glow is created rather than the sharp, well-defined image when shooting without a filter. The soft effect makes this filter well suited for portrait photography, as it softens skin texture and reduces the appearance of blemishes on the face or skin. It is also useful when shooting cityscapes and in landscape photography, adding glowing effects to strong light and creating a dreamlike atmosphere.

Features the new NiSi V7 Holder
Includes the new True Color CPL and adaptors for 67mm, 72, 77mm and 82mm
The holder allows the use of 3 square filters + 1 circular polarizer
No vignetting at 16mm (Full Frame)
Includes four filters: 100x100mm IR ND64 6 Stop ND, 100x100mm IR ND1000 10 Stop ND, 100x150mm IR GND8 Reverse 3 Stop and 100x150mm IR GND8 Medium 3 Stop
Includes the NiSi Caddy Pouch, Lens Cap, Clever Cleaner, Cleaning Cloth, and Blower
Great value starter kit for getting started with ND filters and landscape photography
The NiSi 100mm V7 Advance Kit is the ultimate kit for landscape and seascape photographers with everything you need to get started. It’s perfect for anyone who wants to create long exposure images and use ND filters/GND filters with multiple lenses up to 82mm with a standard filter thread. The kit includes the most popular adaptor rings (67mm, 72mm, 77mm and 82mm) with others sold separately. The NiSi 100mm V7 Advance Kit represents a great saving compared to buying all the included items separately.

Key Features
1/4 Diffusion Filter
Reduces Highlights and Lowers Contrast
Creates Cinematic Look
Softens Wrinkles and Blemishes
Nano Resistance Coating
Optical Glass
Brass Filter Ring
The Black Mist Filter 1/4 from NiSi is a classic style diffusion filter for lenses with a 72mm filter thread. Inspired by the popular cinema range "Allure Mist Black" and recreated as a circular filter. Compatible with both still imaging or video, a Black Mist filter lowers contrast by suppressing and diffusing highlights and lifting shadows to help balance the tonal range of the image. It creates a cinematic look and is also commonly used to soften wrinkles, blemishes and creates a flattering image of a subject. The effect is most effective when capturing light that diffuses softly when backlit, creating a transparent light that looks like it was taken with a high-quality vintage lens.

This filter is constructed from optical glass and is available in diffusion grades of 1/8, 1/4, and 1/2; the diffusion effect becomes approximately twice as strong with each grade number increase.

Each optical glass surface features NiSi's Nano coating for an improved beading effect when in contact with water, oil, or grease for greater cleaning efficiency. Constructed with a high-quality brass frame for enhanced durability and jamming prevention.

Reduces highlights and lowers contrast
Creates a cinematic look
Softens wrinkles and blemishes
Delicately captures flare
Creates a soft, pastel-like quality
Softly diffuses light
Resolution maintained while contrast and sharpness are understated
High-quality brass frame
Nano resistance coating repels water, oil, and grease

Key Features
1/8 Diffusion Filter
Reduces Highlights and Lowers Contrast
Creates Cinematic Look
Softens Wrinkles and Blemishes
Nano Resistance Coating
Optical Glass
Brass Filter Ring
The Black Mist Filter 1/8 from NiSi is a classic style diffusion filter for lenses with a 67mm filter thread. Inspired by the popular cinema range "Allure Mist Black" and recreated as a circular filter. Compatible with both still imaging or video, a Black Mist filter lowers contrast by suppressing and diffusing highlights and lifting shadows to help balance the tonal range of the image. It creates a cinematic look and is also commonly used to soften wrinkles, blemishes and creates a flattering image of a subject. The effect is most effective when capturing light that diffuses softly when backlit, creating a transparent light that looks like it was taken with a high-quality vintage lens.

This filter is constructed from optical glass and is available in diffusion grades of 1/8, 1/4, and 1/2; the diffusion effect becomes approximately twice as strong with each grade number increase.

Each optical glass surface features NiSi's Nano coating for an improved beading effect when in contact with water, oil, or grease for greater cleaning efficiency. Constructed with a high-quality brass frame for enhanced durability and jamming prevention.

Reduces highlights and lowers contrast
Creates a cinematic look
Softens wrinkles and blemishes
Delicately captures flare
Creates a soft, pastel-like quality
Softly diffuses light
Resolution maintained while contrast and sharpness are understated
High-quality brass frame
Nano resistance coating repels water, oil, and grease

Eliminates Reflections and Glare
Greater Color and Tonal Saturation reduces Haze in Landscapes
True color without the warming cast that is seen with many other CPLs
Knurled sides for easier grip during filter install and removal
Cine Sealed Technology to seal the polarizing film
Pro Nano coating to reduce unwanted reflections
Waterproof and Nano Coating
Ultra High Definition
Ultra Slim Two-Color Frame
The NiSi True Color CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create. Our True Color CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The True Color CPL features a unique two-tone frame with a silver back ring, black front ring and both are made from high-quality aluminum. NiSi’s Sure Color CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.

A Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.

Our proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust and water stains. The slimline frame of the NiSi Natural CPL is durable and tough and allows a lens cap to be attached for convenience.

Eliminates Reflections and Glare
Greater Color and Tonal Saturation reduces Haze in Landscapes
True color without the warming cast that is seen with many other CPLs
Knurled sides for easier grip during filter install and removal
Cine Sealed Technology to seal the polarizing film
Pro Nano coating to reduce unwanted reflections
Waterproof and Nano Coating
Ultra High Definition
Ultra Slim Two-Color Frame
The NiSi True Color CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create. Our True Color CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The True Color CPL features a unique two-tone frame with a silver back ring, black front ring and both are made from high-quality aluminum. NiSi’s Sure Color CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.

A Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.

Our proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust and water stains. The slimline frame of the NiSi Natural CPL is durable and tough and allows a lens cap to be attached for convenience.

Eliminates Reflections and Glare
Greater Color and Tonal Saturation reduces Haze in Landscapes
True color without the warming cast that is seen with many other CPLs
Knurled sides for easier grip during filter install and removal
Cine Sealed Technology to seal the polarizing film
Pro Nano coating to reduce unwanted reflections
Waterproof and Nano Coating
Ultra High Definition
Ultra Slim Two-Color Frame
The NiSi True Color CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create. Our True Color CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The True Color CPL features a unique two-tone frame with a silver back ring, black front ring and both are made from high-quality aluminum. NiSi’s Sure Color CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.

A Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.

Our proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust and water stains. The slimline frame of the NiSi Natural CPL is durable and tough and allows a lens cap to be attached for convenience.

Variable Neutral Density Filter Offering Greater Control Over Exposure Settings, Allows Reduce Shutter Speeds and Wider Apertures
True Color result that avoids color shift seen in other Variable filters
Variable 0.3 to 1.5 Neutral Density
Reduces Exposure by 1 to 5 Stops
Exposure Range-Control Filter Ring with Hard Stops at Each End
No “X” Effect
High Definition optical glass
Nano Coating, Waterproof and Anti-Reflective Coating
An optional rotating lever that can be removed
Larger front thread to avoid vignetting on wider lenses
Includes lens cap and pouch
The NiSi True Color ND-VARIO Pro Nano 1-5stops Variable ND is designed to mount onto lenses with 82mm front filter threads and provides an exposure reduction of 1 to 5 stops. The 0.3 to 1.5 density creates a darkening of the entire image, allowing wider apertures or slower shutter speeds than usually possible. The degree of density is easily controlled by rotating the front filter ring with or without the included silver lever, helping you predetermine the additional exposure length required. By slowing your exposure time or increasing your aperture, you can control the depth of field and convey movement more easily. The transition of density occurs smoothly which allows the photographer or videographer to adjust exposure length to the exact amount required for a given scene. For easier, repeatable control over density settings, the front ring is visually marked with numbers representing the different stop values. The ring features silver side knurlings for a secure grip and easy installation and removal. For those using this filter with cinema or video cameras, combined adjustments of aperture and this filter allow fine adjustments of the depth of field while retaining the designated frame rate.

Ultra-Thin frame
10 Stops Exposure, No Color Cast
Top Smooth Finish on the Surface
Matt Black Superfine Frosted Frame.
Neutral Density 3.0 (exposure adjustment = 10 stops, transmits 0.1% of light)
IR Coating to reduce color cast
Nano Coating
The NiSi Nano IR Neutral Density Filter ND1000 is specially designed for landscape photographers. This filter is made from high-quality optical glass with nano coating to prevent losing any single bit of detail. Neutral density filters do not affect the coloration of the image and the 3.0 density provides a 10 stop reduction in light from entering the lens.

Attaching a neutral density (ND) filter to your lens uniformly reduces the amount of light entering the lens. The ND filter is helpful when the contrast between the highlights and shadows is too great to get quality exposure. The ND Filter also can enable greater motion blurring and image detail by allowing a large aperture and/or a slow shutter speed to be used. A variant on the ND filter is the graduated ND, in which there is a gradient that effects the reduction of light in a graduated, neutral level from 100% to 0% across the length of the filter. The Graduated ND is recommended for shooting landscapes and seascapes because you can reduce the brightness of the sky (for better contrast) but still maintain an affecting exposure of the land or water.

By using neutral density filter the camera is vulnerable to infrared light which will cast the unwanted red color to the photos when shooting at small aperture. The added the infrared protection coating layer to this filter which helps to eliminate the infrared light through the lens to bring back the natural color.

True to life color
High Definition
Optical Glass
Ultra Slim Frame
Waterproof and Pro Nano Coating
ND64 6 Stop
The NiSi HUC IR Neutral Density Filter ND64 (1.8) 6 Stop is specially designed to reduce the amount of light entering the camera by 6 stops. This filter is made from high-quality optical glass with nano coating to prevent losing any single bit of detail. Neutral density filters do not affect the coloration of the image and the 1.8 density provides a 6 stop reduction in light from entering the lens.

The ND Filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control the depth of field and convey movement in your images. The ND64 6 stops ND filter is generally used during the golden hour to create exposures of 1-2 minutes for smooth water or clouds. A 6 Stop is also great for capturing dynamic water while retaining some texture before the golden hour.

By using neutral density filters the camera is vulnerable to infrared light which will cast the unwanted red color to the photos when shooting at a small aperture. The added infrared protection coating layer to this filter helps to eliminate the infrared light through the lens to bring back the natural color.

No colour cast thanks to the IR coating which blocks infrared light.
Very low peripheral light fall (vignetting) thanks to the very thin aeronautical aluminum profile of only 3.5mm. One of the world’s thinnest ND SLIM filters.
Lens grade optical glass for precision applications of the highest quality and transparency (NiSi exclusive), the only filter to use the same glass as the highest quality elements of photographic lenses and optical instruments.
Cleaning is very easy thanks to the Nano Coating and the water repellent and oil and grease resistant coating. NiSi patent.
Anti-glare coating against parasitic lights, ghost lights, flares and unwanted reflections.
Circular screw NiSi ND filters are available in a wide range of sizes, from 40.5mm to 82mm. Here in the 3-stop version ND8 (1.8).

NiSi neutral density (ND) filters are the ideal tool for managing light in the field. Thanks to the wide range of densities available, NiSi ND filters allow you to extend shutter speeds even in bright conditions. Managing light with ND Filters allows you to have a fourth way to control exposure (in addition to ISO, time and aperture).

Construction
All NiSi square use Nano Coating®, this wording indicates the use of the exclusive Nano Coating treatment which makes the filter water-repellent and oleophobic for perfect sharpness. NiSi filters also use IR technology, i.e. the coating that blocks infrared light, and therefore the dominant magenta colour.

Unparalleled Quality
NiSi filters are all made of the highest quality lens grade optical glass so as not to lose even the smallest detail in your images. The special Nano Coating coating on both sides minimises unwanted reflections and gives the NiSi neutral density filters the characteristic of being water-repellent and oleophobic. There are no comparable quality filters thanks to the exclusive NiSi glass used, with which you can be confidant that your lenses will not lose definition.

Unique on the market
Thanks to the very high chromatic correspondence and absence of colour cast, you can finally say goodbye to impractical and time consuming colour corrections in post production. NiSi optical glass is not the classic B270 used by many manufacturers, but it is a superior quality glass used by the major manufacturers of photographic lenses specifically for the finest optical elements, NiSi filters do not degrade the image and your lens and photographic sensor will always work at maximum of their potential.

Weatherproof
The Nano® Coating treatment gives the filter the quality of repelling water and oils, making cleaning very easy even in extreme conditions or with the presence of sea water. The finishing of the edges and the rounded corners improve the resistance of the filter and the grip. Our filters and holders are born to be used outdoors, in any weather situation, enjoy photography in its purest essence.

HUC glass
HT glass (High Transmission 99.2%), HUC (High-ultra Clarity): robust glass with no loss of detail is exclusive to NiSi. The ND 6 Stop Circular NiSi filter also uses optical glass for precision applications; the highest quality for your photography.

Limitations: The effect of vignetting on lenses is greatly appreciated there
Coating on the filter is multi-sided
High quality optical glass for high transmittance and extremely smooth surface
Protect the lens from dust and damage cut by the front element
Easy to clean
NiSi MC UV Series Superior Japanese Patents Special double and multi-coating technology, adopts high-quality optical optical glass, which ensures high transmittance, ultra-smooth surface and avoids unnecessary reflection. Meanwhile, the frame using high quality aluminum frame (only 5.2mm thick), is the thinnest in the world so far. In addition, the ultra-fine dull polishing and elaborate knurling ensure that the frame will not whiten due to frequent cycling; These advanced filters help avoid vignetting on lenses that are unusually south. All materials used in this filter comply with the requirements of European Union Environmental Protection Standards - ROHS (distinctive Restriction of Hazardous Substances), and do not contain anything hazardous. Moreover, the screw thread in front of the frame makes it easy to install the lens hood and other accessories.