Step Up Lens Filter Adapter Rings - Set of 9 - Allows You to Fit Larger Size Lens Filters on a Lens with a Smaller Diameter - Sizes: 37-49, 49-52, 52-55, 55-58, 58-62, 62-67, 67-72, 72-77, 77-82 mm
When you buy a new lens with a different diameter, you don't want to buy another set of filters for it.
This set of Lens Filter Adapter Rings allow you to fit a larger size lens filter onto a lens with a smaller diameter.
Step up to a maximum of 9 sizes from 37 mm to 82 mm. Adapter rings included in this package: 37-49 mm, 49-52 mm, 52-55 mm, 55-58 mm, 58-62 mm, 62-67 mm, 67-72 mm, 72-77 mm and 77-82 mm.
Each Lens Filter Adapter Ring is made of durable anodized aluminum. They will last much longer than plastic adapter rings.
Other CamKix accessories are available to protect, clean or enhance the pictures/video footage of your phone, DSLR, drone or action camera.

Key Features
For Beginning Landscapes and Seascapes
V7 100mm Filter Holder
True Color Circular Polarizing Filter
1x 100 x 100mm ND Filter
1x 100 x 150mm Graduated ND Filter
Compatible with Wide Angle Lenses
67mm, 72, 77mm, and 82mm Adapter Rings
Air Blower, Dust Brush, & Cleaning Cloth
82mm Lens Cap
Caddy Filter Pouch
This 100mm V7 Starter Kit from NiSi features the V7 100mm Filter Holder, with a capacity of up to three 100mm-wide, 2mm-thick rectangular filters. It includes a true color Circular Polarizing Filter, which is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarizers may create.

This kit contains a neutral density filter, a medium-edge graduated neutral density filter, which can be used individually or together for greater control over shutter speed and aperture settings. Separately available additional filters can be added when desired.

This kit includes adapter rings making it compatible with most lenses, additional adapter rings are available separately. When working with lenses as wide a full-frame equivalent 16mm, the slim aluminum frame of the V7 will not vignette. In addition, an air blower, dust brush, and microfiber cleaning cloth help to keep the filters clean, in studio or on location. The included Caddy Filter Pouch stores the complete kit for storage or transport.

Key Features
2 Lights with Stands and Case
For Studio and Video Production
Output: 2000 Lux at 3.3' (5600K)
3200 to 5600K CCT; Bi-Color Control
13.4 x 12.7" Panel; AC/DC Operation
CRI 97 | TLCI 97
On-Board and Wireless Control
Passive Cooling for Silent Operation
0-100% Dimming
Set of 4-Leaf Barndoors and Diffuser
This 672S-B Bi-Color LED Panel 2-Light Kit from GVM offers a complete lighting system with advanced color and power options. The kit includes two black 672S-B bi-color LED panels, each with a set of 4-way barndoors, an AC power adapter, a soft filter, and a light stand. A wireless remote for control and a case for storage and transport are also included.

The panel measures just 10.3 x 9.3 x 3" and is designed to meet ambient light challenges for creative expression. It has a variable color temperature range of 3200 to 5600K and high 97 CRI/TLCI ratings to indicate accurate color.

The panel has a wide beam spread that you control with the four-way barndoors. Simply swing one or more of the barndoor leaves into the path of the beam to keep light from areas you don't want illuminated. The light is dimmable and you can make adjustments locally on the fixture or wirelessly with up to 120 fixtures via GVM's 12-channel Multi-Function Master/Slave Control or with the included wireless remote control. The panel is powered via the included 110-220V AC adapter, but it will also run on user supplied NP-F-type batteries when mains power is unavailable. The light comes with a diffusion filter to soften the bright LEDs.

Complete lighting system with advanced color and power options
Variable color temperature range of 3200 to 5600K
High CRI/TLCI ratings are 97 for accurate color
Dimmable fixture with wide beam spread
Includes barndoors and diffuser
Dual-voltage for worldwide use
Runs on optional NP-F-type batteries when mains power is unavailable

Key Features
Dual-Handgrip Light with Phone Holder
For Vlogging and Tripod-Mount Setups
Vertical and Horizontal Attachment
Smartphone Photo Trigger on Handgrip
Powered by Included L-Series Battery
5600K Color Temperature with 97 CRI
0 to 99% Dimming
White and Orange Filters Included
2 x Cold Shoe Mounts; 1/4"-20 Threads
Optional DC Adapter Supported
The LT-10S Smartphone Video Camera Rig Light from GVM features a dual-handgrip design and includes an adjustable smartphone holder you can attach in the center. Mount virtually any smartphone in-between the two LED panels, which deliver either warm or cool white light thanks to two sets of filters. An included L-series battery neatly installs on the back and powers the light and a photo trigger on one of the handgrips.

Key Features
40.2MP APS-C X-Trans CMOS 5 HR Sensor
X-Processor 5 Image Processor
Fujinon 23mm f/2 Lens
35mm Full-Frame Equivalent
6-Stop In-Body Image Stabilization
425-Point Intelligent Hybrid AF System
Hybrid 0.66x OVF with 3.69m-Dot OLED EVF
3.0" 1.62m-Dot Tilting Touchscreen
Bluetooth and Wi-Fi Connectivity
20 Film Simulation Modes with REALA ACE

Timeless Design, Cutting-Edge Tech, Unforgettable Imagery
Having refined the retro styling and ergonomics of the rangefinder-inspired X100-series in its viral fifth iteration, FUJIFILM follows up with the tricked-out black X100VI Mirrorless Camera, filling out the timeless, compact, touch-friendly body with the speed, power, and pixel count of its flagship APS-C sensor-and-processor combo. Featuring unsurpassed design and a wealth of upgraded tech, the X100VI is poised to be the every day, everywhere darling of photographers who yearn to transform the mundane into the magical.

40MP X-Trans CMOS 5 HR Sensor, X-Processor 5
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality. This sensor has an improved pixel structure, allowing light to be received more efficiently. Partner to the newly designed sensor is a fresh engine X-Processor 5-which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks. The combination of this high-resolution sensor and processor achieves remarkably fast operation, wide dynamic range, and incredible photo quality, even at higher ISO sensitivities.

Powerful Video Capabilities
The powerful video function afforded by the sensor-processor combo means movies can be recorded internally at up to 6.2K at 30p in 10-bit color, along with a 4K HQ mode which oversamples 6.2K footage for superior 4K output. Higher frame rate videos, at 4K 60p or FHD 240p, are also available.

In-Body Image Stabilization, Improved Autofocus
The upgraded sensor-processor combination allows the X100VI to be the first in the series to feature in-body image stabilization. The five-axis sensor-shift IBIS helps to minimize the appearance of camera shake by up to six stops. The improved processing also benefits autofocus performance, producing a faster, more intelligent hybrid focusing system using 425 phase-detection points. Backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types, ensuring the magic moment is never missed.

Built for Speed, Built for the Street
Further benefiting street photographers, the X100VI is ready for action, no matter how fast the subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/4000 sec will stop any subject in its tracks. Keep your finger down, and the X100VI records images at up to 20 fps with the electronic shutter at a 1.29x crop and 11 fps with the mechanical shutter.

Fujinon 23mm f/2 Lens
Updated in the fifth generation, the camera's Fujinon 23mm f/2 lens features a revised optical design that includes two aspherical elements for improved sharpness and clarity through the reduction of spherical aberrations and distortion. With a 35mm full-frame equivalency, the lens' bright f/2 design handles low-light conditions and affords a shallow depth of field. When it's bright, the built-in 4-stop ND filter can also be used for more control over your exposures and to better enable working with shallow depth of field. While the lens has a fixed focal length, the X100VI integrates 1.4x and 2x digital teleconverter settings to simulate the look of working with longer focal lengths of 49mm and 70mm, respectively.

Advanced Hybrid Viewfinder
Both optical and electronic viewfinder types are incorporated into the unique Advanced Hybrid Viewfinder, which lets you select from the simplicity and familiarity of an OVF as well as the versatility of an EVF. The optical viewfinder provides a clear, lifelike view of the scene for easier composition and subject tracking. Its enhanced design incorporates an Electronic Rangefinder function, which mimics the functionality of a mechanical rangefinder, and simultaneously overlays information from the electronic viewfinder on top of the optical viewfinder for comparative manual focus control.

Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types. The X100VI boasts FUJIFILM's latest recipe-REALA ACE-and also includes 19 other modes, including Provia, Velvia, Astia, Classic Chrome, PRO Neg. Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.
In addition to simulating specific film types, a Grain Effect mode is also available to replicate the look of old film photos with an organic textured appearance, which is especially noticeable when printing. Color Chrome and Color Chrome Blue effects are also available to deepen color, tonal response, and gradation with higher saturation colors.

Frame.io Camera-to-Cloud integration
Deliver photos or video straight to the cloud moments after they're created with the first accessory-free integration for Frame.io Camera to Cloud. Use the camera's built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res raw or JPEG images, send h.264 video proxies, or upload video securely for review.

Body Design
With the same 5 x 3 x 2.1" dimensions as its predecessor, it weighs just 1.5 oz more for a portable 1.1 lb total weight.
The tilting 3.0" 1.62m-dot LCD has a touchscreen design for intuitive operation and playback.
The durable design can be made weather-resistant when paired with the optional AR-X100 Adapter Ring and optional weather-sealing protection ring.
The top plate incorporates a series of locking dials and levers for fast, intuitive control over exposure settings, including dials for shutter speed and exposure compensation.
Front and rear command dials integrate a push function for easier use and settings selection.
The rear joystick is available for intuitive selecting and switching of AF points as well as menu navigation and image playback.
Integrated Bluetooth and Wi-Fi connectivity allow for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.
Single SD memory card slot supports up to the UHS-I standard.
Included NP-W126S battery provides approximately 310 frames per charge when working with the EVF or 450 frames per charge when working with the OVF.

This LD150RS LED Panel from Godox is a 20.9 x 20.2" fixture capable of switching between a traditional multi-LED panel for hard light and a tunable RGB panel for colorful, creative effects at the push of a button. The panel has an expansive CCT range of 2500 to 8500K for seamless integration to any ambient light situation, to match other fixtures, or just for creative expression. The panel's high CRI/TLCI ratings of 96/97 are indicators of advanced accuracy in the rendering of color. You can adjust the magenta/green balance for greater precision, as well as adjust light intensity from 0 to 100% for further versatility. One of the advanced functions is RGB mode, which employs its LEDs to access literally over 16 million color combinations for optimal choice. With dimming from 100% down to 0%, you can quickly adapt the light to any scene without adding ND filters or diffusion, since yet another perk is the light's Lee Gel library. Furthermore, the light has 14 special effects that lend realism to your shoot.

The LD150RS is ready for worldwide use thanks to its multi-voltage power adapter, but it will also run on an optional battery via its integrated V-mount plate.

14 Customizable Lighting Effects
RGB cycle, paparazzi flash, laser, lightning, broken bulb, TV, candle, fire, fireworks, police car, firetruck, ambulance, music mode, SOS

The Godox LED1000Bi II Bi-Color DMX LED Video Light is a video light that offers a user-selectable color temperature of 3300 to 5600K with a ±300K variance. Dimming settings range from 0% to full power and can be adjusted using the video light's on-board LCD panel or by its wireless remote which has a range of up to 65.6'. For enhanced versatility, the LED1000Bi II Bi-Color DMX LED Video Light also features connectivity for DMX controllers.

This video light is rated for output up to 4800 lux at 3.3' and 4200K, 2200 lux at 3.3' and 3300K, and 2600 lux at 3.3' and 5600K; drawing a maximum of 70W of power during use. A yoke with a standard light stand receiver and locking knob supports the LED1000Bi II Bi-Color DMX LED Video Light and its design also incorporates a built-in filter slot for its included diffuser. While an AC adapter is provided for in-studio use, separately available Sony 14.8V BP-L V-mount batteries can be used to provide power while on location. The remote control requires two 3V AAA batteries, which must also be purchased separately.

The Godox LED1000D II Daylight DMX LED Video Light is daylight-balanced and offers a color temperature of 5600K with a ±300K variance. Dimming settings range from 0% to full power and can be adjusted using the light's on-board LCD panel. For enhanced versatility, the LED1000D II Daylight DMX LED Video Light also features connectivity for DMX controllers.

This video light is rated for output up to 5400 Lux at 3.3', drawing a maximum of 70W of power during use. A yoke with a standard light stand receiver and locking knob supports the LED1000D II Daylight DMX LED Video Light and its design also incorporates a built-in filter slot for easy light manipulation. While an AC adapter is provided for in-studio use, separately available Sony 14.8V BP-L V-mount batteries can be used to provide power while on location. While an AC adapter is provided for in-studio use, separately available Sony 14.8V BP-L V-mount batteries can be used to provide power while on location. The remote control requires two 3V AAA batteries, which must also be purchased separately.

The Godox LED170II Daylight Balanced 10W On-Camera LED Light features 170 daylight-balanced LED bulbs that provide a bright output in a lightweight package. It features an on/off switch, removable L-series battery plate, and accepts 8 x AA batteries that can power the light for approximately one hour. You can also power the light from an optional AC to DC power adapter (not included).

The light mounts to your camera via a tiltable cold shoe mount that enables you to set the position and lock it in place. Included with the fixture is an orange filter that allows you to use the fixture with tungsten-based lighting as well as a diffusion filter.

The Godox LED126 Daylight Balanced 7.5W On-Camera LED Light features 126 daylight-balanced LED bulbs that provide a bright output in a lightweight package. It features an on/off switch, removable L-series battery plate, and accepts 6 x AA batteries that can power the light for approximately one hour. You can also power the light from an optional AC to DC power adapter (not included).

The light mounts to your camera via a tiltable cold shoe mount that enables you to set the position and lock it in place. Included with the fixture is an orange filter that allows you to use the fixture with tungsten-based lighting as well as a diffusion filter.

he Godox LF308D Daylight LED Video Light with Flash Sync features 308 daylight-balanced LED bulbs that provide a bright output in a lightweight package. It features a built-in L-series battery plate (battery not included), or you can power the light from the included AC to DC power adapter. The light is dimmable from 100 to 0% brightness, and a built-in LCD screen shows color temperature, brightness, battery power, and wireless channel. The fixture features a SYNC port for use with wireless flash systems.

An optional wireless remote enables you to control lights in six groups, or you can control the light fixture via Bluetooth. The light mounts on your camera via a tiltable cold shoe mount that enables you to set the position and lock it in place. Removable barndoors with built-in intensifiers help control the fixture's output, and the included diffusion and color filters slide directly into the fixture and help control the color and quality of the light's output.

The Godox LF308BI Hybrid Bi-Colour LED Flash Video Light with Flash Sync features 18W powered 154 daylight-balanced and 154 tungsten-balanced LED bulbs that provide a bright output in a lightweight package.

It features a built-in L-series battery plate (battery not included), or you can power the light from the included AC to DC power adapter.

The light is dimmable from 100 to 0% brightness, and a built-in LCD screen shows color temperature, brightness, battery power, and wireless channel.

Removable barndoors with built-in intensifiers help control the fixture's output, and the included diffusion filter slides directly into the fixture to soften the light's output.

The brightness of flash light output is 4x of LED lights.

An optional RC-06 wireless remote enables you to control lights in six groups, or you can control the light fixture via Bluetooth.

Optional to purchase 2.4GHz wireless remote trigger X1, X2T, XPro or XT32 for flash function. Dia. 3.5mm Sync socket for Sync cable connection.

Godox TL60

Overview



When ultimate color control, a flexible form factor, wireless use, and control are top priorities, the TL60 2-Light Kit from Godox is a wise choice. The kit contains two tube lights, a remote control with a 164' range, two AC adapters, two mounting clips, and a bag for storage and transport. Each light has a built-in battery that will give you two hours of runtime at full power. Its 2.5' length and 1.9" diameter make mounting it unobtrusively, or even gaffer-taping it an option. It has a wand-like shape, so it just about begs to be handheld.

Each TL60 outputs up to 421 lux at 3.3' (5600K) and has a wide CCT range of 2700 to 6500K to meet any ambient light challenge, match other fixtures, or just to spark creative expression, while a library of 40 Rosco and Lee filters seals the deal. Wireless control is available with optional gear at distances from 98 to 164' via DMX, an included remote control, or the Godox smartphone app backed by 32 channels and 6 groups.

Benefits
Multicolor capability with high CRI/TLCI ratings of 96/98 for color accuracy
RGB mode with hue, saturation, and intensity control for access to a myriad of custom colors
39 preset special effects including RGB cycle, flash, party, lightning, broken bulb, TV, candle, fire, fireworks, police car, fire truck, ambulance, music, SOS, and more
Retaining clips with 1/4"-20 for convenient mounting

Godox TL60 FOUR LIGHT KIT Overview

Compact, Creative, Continuous: The Godox TL60 Tube Light


When ultimate color control, a flexible form factor, wireless use, and control are top priorities, the TL60 4-Light Kit from Godox is a wise choice. The kit contains four tube lights, a remote control with a 164' range, four AC adapters, four mounting clips, and a bag for storage and transport. Each light has a built-in battery that will give you two hours of runtime at full power. Its 2.5' length and 1.9" diameter make mounting it unobtrusively, or even gaffer-taping it an option. It has a wand-like shape, so it just about begs to be handheld.

Each TL60 outputs up to 421 lux at 3.3' (5600K) and has a wide CCT range of 2700 to 6500K to meet any ambient light challenge, match other fixtures, or just to spark creative expression, while a library of 40 Rosco and Lee filters seals the deal. Wireless control is available with optional gear at distances from 98 to 164' via DMX, an included remote control, or the Godox smartphone app backed by 32 channels and 6 groups.

Benefits
Multicolor capability with high CRI/TLCI ratings of 96/98 for color accuracy
RGB mode with hue, saturation, and intensity control for access to a myriad of custom colors
39 preset special effects including RGB cycle, flash, party, lightning, broken bulb, TV, candle, fire, fireworks, police car, fire truck, ambulance, music, SOS, and more
Retaining clips with 1/4"-20 for convenient mounting

Godox WMicS2

Overview


For mobile journalists, videographers, and vloggers, the Godox WMicS2 Kit 1 is a wireless system with one transmitter with lavalier microphone and one dual-channel receiver. It delivers reliable transmission with clear sound up to 656' over 96 selectable UHF frequencies directly to your camera, mixer, or smartphone with 3.5mm port. Easy-to-use with plug-and-play operation, this system offers a complete solution for recording dialogue, interviews, or lectures.

The clip-on transmitter offers both a built-in microphone and a 3.5mm port for the included omnidirectional lavalier, which attaches to a lapel or shirt. You can record backup audio via the TF card slot for worry-free audio capture. Built-in features like a low-cut filter and mute can be controlled via the onboard buttons.

The dual-channel receiver can record in either mono or stereo modes. You can easily add an additional transmitter (available separately) for two-person applications. Both devices come with back clips and magnet mounts to discreetly attach to videographer or subject. They have 1/4"-20 threads for mounting to compatible cold shoe adapters. Internal 770mAh lithium batteries power both components and included USB-C cables charge them back up once depleted. A foam windscreen can be attached to the transmitter to reduce wind interference.

Features at a Glance
Wireless system for vlogging, interviews, and video production
Works with smartphones, cameras, and audio recorders with 3.5mm input jack
656' line-of-sight range, 197' range with barriers
Foldable antennae can be rotated on both devices to improve signal transmission
1 clip-on transmitter with built-in microphone and foam windscreen
1 lavalier mic included for low-profile visual work
Low-cut/mute button on transmitter
Dual-channel receiver clips or screws onto camera shoe mount adapter
Adjustable output volume and mono/stereo output modes on receiver
Built-in 770mAh lithium rechargeable batteries
OLED display on receiver show important information including battery life, connectivity, and more
Includes USB-C charging cables, 3.5mm TRS to TRRS cable, and 3.5mm TRS to TRS cable

Godox WMicS2

Overview


For mobile journalists, videographers, and vloggers, the Godox WMicS2 Kit 2 is a wireless system with two transmitters with lavalier microphones and one dual-channel receiver. It delivers reliable transmission with clear sound up to 656' over 96 selectable UHF frequencies directly to your camera, mixer, or smartphone with 3.5mm port. Easy-to-use with plug-and-play operation, this system offers a complete solution for recording dialogue, interviews, or lectures.

Each clip-on transmitter offers both a built-in microphone and a 3.5mm port for the included omnidirectional lavaliers which attach to a lapel or shirt. You can record backup audio via their TF card slots for worry-free audio capture. Built-in features like a low-cut filter and mute can be controlled via the onboard buttons.

The dual-channel receiver can record in either mono or stereo modes. Each device comes with back clips and magnet mounts to discreetly attach to videographer or subject. They have 1/4"-20 threads for mounting to compatible cold shoe adapters. Internal 770mAh lithium batteries power all components and an included case charges them up once depleted. Two USB cables and two foam windscreens for the transmitters are also included.

Features at a Glance
2-person wireless system for vlogging, interviews, and video production
Works with smartphones, cameras, and audio recorders with 3.5mm input jack
656' line-of-sight range, 197' range with barriers
Foldable antennae can be rotated on each device to improve signal transmission
2 clip-on transmitters with built-in microphone, and foam windscreens
2 lavalier mics included for low-profile visual work
Low-cut/mute button on transmitters
Dual-channel receiver clips or screws onto camera shoe mount adapter
Adjustable output volume and mono/stereo output modes on receiver
Built-in 770mAh lithium rechargeable batteries
OLED display on receiver shows important information including battery life, connectivity, and more
Includes USB-C charging cables, 3.5mm TRS to TRRS cable, and 3.5mm TRS to TRS cable
Convenient charging case included for transport and storage

The NiSi Adaptor Ring for Swift System Filters is designed for use with the NiSi Swift System. It allows a filter designed for the NiSi Swift System (same filter thread size) to be used directly on the lens without the NiSi True Color 1-5 Stops VND. The Swift System filters attach to the adaptor ring simply by pressing them onto the front of the adaptor. The ring is made of aluminum for durability.

The Cinema C5 Matte Box Filmmaker Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads. Also included with this kit are a True Color VND 1-5 Stops filter, an FS ND16 4 x 5.65" filter, and a 1/8 Black Mist 4 x 5.65" filter.

The Cinema C5 Matte Box Cinema Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads. Also included with this kit are a True Color VND 1-5 Stops filter, a True Color Rotating PL filter, an FS ND16 4 x 5.65" filter, and a 1/8 Black Mist 4 x 5.65" filter.

The Cinema C5 Matte Box Starter Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads.