Godox WMicS2

Overview


For mobile journalists, videographers, and vloggers, the Godox WMicS2 Kit 1 is a wireless system with one transmitter with lavalier microphone and one dual-channel receiver. It delivers reliable transmission with clear sound up to 656' over 96 selectable UHF frequencies directly to your camera, mixer, or smartphone with 3.5mm port. Easy-to-use with plug-and-play operation, this system offers a complete solution for recording dialogue, interviews, or lectures.

The clip-on transmitter offers both a built-in microphone and a 3.5mm port for the included omnidirectional lavalier, which attaches to a lapel or shirt. You can record backup audio via the TF card slot for worry-free audio capture. Built-in features like a low-cut filter and mute can be controlled via the onboard buttons.

The dual-channel receiver can record in either mono or stereo modes. You can easily add an additional transmitter (available separately) for two-person applications. Both devices come with back clips and magnet mounts to discreetly attach to videographer or subject. They have 1/4"-20 threads for mounting to compatible cold shoe adapters. Internal 770mAh lithium batteries power both components and included USB-C cables charge them back up once depleted. A foam windscreen can be attached to the transmitter to reduce wind interference.

Features at a Glance
Wireless system for vlogging, interviews, and video production
Works with smartphones, cameras, and audio recorders with 3.5mm input jack
656' line-of-sight range, 197' range with barriers
Foldable antennae can be rotated on both devices to improve signal transmission
1 clip-on transmitter with built-in microphone and foam windscreen
1 lavalier mic included for low-profile visual work
Low-cut/mute button on transmitter
Dual-channel receiver clips or screws onto camera shoe mount adapter
Adjustable output volume and mono/stereo output modes on receiver
Built-in 770mAh lithium rechargeable batteries
OLED display on receiver show important information including battery life, connectivity, and more
Includes USB-C charging cables, 3.5mm TRS to TRRS cable, and 3.5mm TRS to TRS cable

Godox WMicS2

Overview


For mobile journalists, videographers, and vloggers, the Godox WMicS2 Kit 2 is a wireless system with two transmitters with lavalier microphones and one dual-channel receiver. It delivers reliable transmission with clear sound up to 656' over 96 selectable UHF frequencies directly to your camera, mixer, or smartphone with 3.5mm port. Easy-to-use with plug-and-play operation, this system offers a complete solution for recording dialogue, interviews, or lectures.

Each clip-on transmitter offers both a built-in microphone and a 3.5mm port for the included omnidirectional lavaliers which attach to a lapel or shirt. You can record backup audio via their TF card slots for worry-free audio capture. Built-in features like a low-cut filter and mute can be controlled via the onboard buttons.

The dual-channel receiver can record in either mono or stereo modes. Each device comes with back clips and magnet mounts to discreetly attach to videographer or subject. They have 1/4"-20 threads for mounting to compatible cold shoe adapters. Internal 770mAh lithium batteries power all components and an included case charges them up once depleted. Two USB cables and two foam windscreens for the transmitters are also included.

Features at a Glance
2-person wireless system for vlogging, interviews, and video production
Works with smartphones, cameras, and audio recorders with 3.5mm input jack
656' line-of-sight range, 197' range with barriers
Foldable antennae can be rotated on each device to improve signal transmission
2 clip-on transmitters with built-in microphone, and foam windscreens
2 lavalier mics included for low-profile visual work
Low-cut/mute button on transmitters
Dual-channel receiver clips or screws onto camera shoe mount adapter
Adjustable output volume and mono/stereo output modes on receiver
Built-in 770mAh lithium rechargeable batteries
OLED display on receiver shows important information including battery life, connectivity, and more
Includes USB-C charging cables, 3.5mm TRS to TRRS cable, and 3.5mm TRS to TRS cable
Convenient charging case included for transport and storage

The Cinema C5 Matte Box Filmmaker Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads. Also included with this kit are a True Color VND 1-5 Stops filter, an FS ND16 4 x 5.65" filter, and a 1/8 Black Mist 4 x 5.65" filter.

The Cinema C5 Matte Box Cinema Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads. Also included with this kit are a True Color VND 1-5 Stops filter, a True Color Rotating PL filter, an FS ND16 4 x 5.65" filter, and a 1/8 Black Mist 4 x 5.65" filter.

The Cinema C5 Matte Box Starter Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads.

The NiSi Cinema True Color Rotating Circular Polarizing Filter is an all-new rotating circular polarizing filter designed to fit the NiSi C5 Matte Box. The polarizing filter reduces reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and increased saturation of skies and foliage. The True Color PL removes the warm tone seen with other brands of polarizing filters and provides an accurate, true color representation of the scene. The amount of polarization is easily controlled by rotating the gear on the top of the filter or by mounting a separately available motor using the 15mm rod holder to control the amount of polarization wirelessly.

The Cinema True Color 1-5 Stop Variable Neutral Density Filter from NiSi is a rotating VND designed to fit the C5 Matte Box. The 0.3 to 1.5 filter factor density creates a darkening of the entire image area, allowing wider apertures or longer shutter speeds to be used. The degree of density is easily controlled by rotating the gear on the top of the filter or by mounting a motor using the 15mm rod holder to control the amount of density wirelessly.

This filter features NiSi's True Color technology that avoids color shift seen in other variable ND filters. It is made from high-definition optical glass for the best resolution and quality. The glass is coated using the NiSi Nano coating, providing a waterproof, oil-proof, and anti-reflective coating to avoid ghosting and reflections.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this white, FUJIFILM X-mount Sniper 23mm f/1.2 Autofocus Lens is an ultrafast prime with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking, even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 35mm full-frame equivalence is appropriate for street photography, travel, indoor architecture, and wider scenes. The lens features high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens' soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this black, FUJIFILM X-mount Sniper 33mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 50mm full-frame equivalence is appropriate for various scenarios, including portraits, food, and still life. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this silver, FUJIFILM X-mount Sniper 33mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 50mm full-frame equivalence is appropriate for various scenarios, including portraits, food, and still life. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this white, FUJIFILM X-mount Sniper 33mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 50mm full-frame equivalence is appropriate for various scenarios, including portraits, food, and still life. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this black, FUJIFILM X-mount Sniper 56mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 85mm full-frame equivalence is appropriate for portrait photography, close-ups, and capturing distant subjects with blurred backgrounds. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this silver, FUJIFILM X-mount Sniper 56mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 85mm full-frame equivalence is appropriate for portrait photography, close-ups, and capturing distant subjects with blurred backgrounds. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this white, FUJIFILM X-mount Sniper 56mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 85mm full-frame equivalence is appropriate for portrait photography, close-ups, and capturing distant subjects with blurred backgrounds. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Key Features
Hybrid Digital/Instant Film Camera
Accepts INSTAX Mini Instant Film
Produces Credit Card-Sized Prints
1/5" CMOS Sensor, 2560x1920 Resolution
Fixed 28mm f/2 Lens (35mm Equivalent)
2.7" 230k-Dot LCD Monitor
Bluetooth for Smartphone Operation
App for Printing & Adding Filters/Frames
Integrated Flash & Selfie Mirror
Audio Recording with QR Code Playback
Bringing hybrid capabilities to the Mini Series, the stone white FUJIFILM INSTAX Mini LiPlay is a sleek camera offering a true mixture of digital and film. As a hybrid instant camera, the Mini LiPlay records digitally but can output photos on INSTAX Mini film. Also, by recording digitally, you can print whichever images you want, whenever you want, and as many times as you want. This digital shooting workflow also enables Bluetooth connectivity for smartphone-based control over the camera, along with the ability to print photos from your phone or apply filters and frames to your shots when printing. Also unique to the Mini LiPlay, a dedicated sound recording button is featured, which allows you to record audio and "attach" it to your prints through the use of a QR code, which can be scanned to hear the sounds while viewing. Beyond the hybrid capture-to-print technology, this camera is also characterized by its especially compact and stylish design, along with a fixed wide-angle lens, built-in flash, integrated selfie mirror, and a rear LCD monitor for image composition and printing setup.

Camera Design
Hybrid instant camera combines convenient digital image capture with traditional instant film output. This method allows you to shoot freely and print whenever desired or reprint an image as many times as desired.
Accepts INSTAX Mini instant film to produce 2.4 x 1.8" images on a credit card-sized, 3.4 x 2.1" sheet.
Fixed 28mm-equivalent lens offers a versatile wide-angle perspective and the f/2 aperture is well-suited for working in a variety of lighting conditions. The lens also has a 3.9" minimum focusing distance for working with close-up subjects.
Rear 2.7" 230k-dot LCD monitor is used for composing imagery as well as reviewing photos and navigating the printing menu.
Small selfie mirror is built into the front of the lens design for accurately composing self-portraits.
Compact design is easy to handle, and the body incorporates a large shutter release button on the front of the camera.
Built-in flash provides additional illumination when working in low-light conditions. This light is also used to indicate the self-timer countdown.
Built-in rechargeable lithium-ion battery is used to power the camera and supports printing up to approximately 100 images per charge. It can be charged via USB in approximately 2-3 hours.
Internal memory holds approximately 45 still images and a microSD/SDHC memory card slot can be used to expand storage capacity.
Reprints are possible from the camera's internal memory, the memory card, or from a smartphone's image library.
Bluetooth Connectivity
Bluetooth connectivity allows a smartphone to pair with the camera for remote shooting control as well as wireless printing of images from the smartphone.
Dedicated smartphone app allows you to preview images before printing as well as add colorful frames and filters.
Three shortcut buttons can be used to assign frames for printing, and these can be configured using the smartphone app.
The camera has a dedicated sound recording button, and audio can be recorded in conjunction with each exposure. This audio is associated to a unique QR code on the print, and audio playback is possible by reading the QR code with a smartphone.

Key Features
Hybrid Digital/Instant Film Camera
Accepts INSTAX Mini Instant Film
Produces Credit Card-Sized Prints
1/5" CMOS Sensor, 2560x1920 Resolution
Fixed 28mm f/2 Lens (35mm Equivalent)
2.7" 230k-Dot LCD Monitor
Bluetooth for Smartphone Operation
App for Printing & Adding Filters/Frames
Integrated Flash & Selfie Mirror
Audio Recording with QR Code Playback
Bringing hybrid capabilities to the Mini Series, the stone white FUJIFILM INSTAX Mini LiPlay is a sleek camera offering a true mixture of digital and film. As a hybrid instant camera, the Mini LiPlay records digitally but can output photos on INSTAX Mini film. Also, by recording digitally, you can print whichever images you want, whenever you want, and as many times as you want. This digital shooting workflow also enables Bluetooth connectivity for smartphone-based control over the camera, along with the ability to print photos from your phone or apply filters and frames to your shots when printing. Also unique to the Mini LiPlay, a dedicated sound recording button is featured, which allows you to record audio and "attach" it to your prints through the use of a QR code, which can be scanned to hear the sounds while viewing. Beyond the hybrid capture-to-print technology, this camera is also characterized by its especially compact and stylish design, along with a fixed wide-angle lens, built-in flash, integrated selfie mirror, and a rear LCD monitor for image composition and printing setup.

Camera Design
Hybrid instant camera combines convenient digital image capture with traditional instant film output. This method allows you to shoot freely and print whenever desired or reprint an image as many times as desired.
Accepts INSTAX Mini instant film to produce 2.4 x 1.8" images on a credit card-sized, 3.4 x 2.1" sheet.
Fixed 28mm-equivalent lens offers a versatile wide-angle perspective and the f/2 aperture is well-suited for working in a variety of lighting conditions. The lens also has a 3.9" minimum focusing distance for working with close-up subjects.
Rear 2.7" 230k-dot LCD monitor is used for composing imagery as well as reviewing photos and navigating the printing menu.
Small selfie mirror is built into the front of the lens design for accurately composing self-portraits.
Compact design is easy to handle, and the body incorporates a large shutter release button on the front of the camera.
Built-in flash provides additional illumination when working in low-light conditions. This light is also used to indicate the self-timer countdown.
Built-in rechargeable lithium-ion battery is used to power the camera and supports printing up to approximately 100 images per charge. It can be charged via USB in approximately 2-3 hours.
Internal memory holds approximately 45 still images and a microSD/SDHC memory card slot can be used to expand storage capacity.
Reprints are possible from the camera's internal memory, the memory card, or from a smartphone's image library.
Bluetooth Connectivity
Bluetooth connectivity allows a smartphone to pair with the camera for remote shooting control as well as wireless printing of images from the smartphone.
Dedicated smartphone app allows you to preview images before printing as well as add colorful frames and filters.
Three shortcut buttons can be used to assign frames for printing, and these can be configured using the smartphone app.
The camera has a dedicated sound recording button, and audio can be recorded in conjunction with each exposure. This audio is associated to a unique QR code on the print, and audio playback is possible by reading the QR code with a smartphone.

Key Features
Hybrid Digital/Instant Film Camera
Accepts INSTAX Mini Instant Film
Produces Credit Card-Sized Prints
1/5" CMOS Sensor, 2560x1920 Resolution
Fixed 28mm f/2 Lens (35mm Equivalent)
2.7" 230k-Dot LCD Monitor
Bluetooth for Smartphone Operation
App for Printing & Adding Filters/Frames
Integrated Flash & Selfie Mirror
Audio Recording with QR Code Playback
Bringing hybrid capabilities to the Mini Series, the stone white FUJIFILM INSTAX Mini LiPlay is a sleek camera offering a true mixture of digital and film. As a hybrid instant camera, the Mini LiPlay records digitally but can output photos on INSTAX Mini film. Also, by recording digitally, you can print whichever images you want, whenever you want, and as many times as you want. This digital shooting workflow also enables Bluetooth connectivity for smartphone-based control over the camera, along with the ability to print photos from your phone or apply filters and frames to your shots when printing. Also unique to the Mini LiPlay, a dedicated sound recording button is featured, which allows you to record audio and "attach" it to your prints through the use of a QR code, which can be scanned to hear the sounds while viewing. Beyond the hybrid capture-to-print technology, this camera is also characterized by its especially compact and stylish design, along with a fixed wide-angle lens, built-in flash, integrated selfie mirror, and a rear LCD monitor for image composition and printing setup.

Camera Design
Hybrid instant camera combines convenient digital image capture with traditional instant film output. This method allows you to shoot freely and print whenever desired or reprint an image as many times as desired.
Accepts INSTAX Mini instant film to produce 2.4 x 1.8" images on a credit card-sized, 3.4 x 2.1" sheet.
Fixed 28mm-equivalent lens offers a versatile wide-angle perspective and the f/2 aperture is well-suited for working in a variety of lighting conditions. The lens also has a 3.9" minimum focusing distance for working with close-up subjects.
Rear 2.7" 230k-dot LCD monitor is used for composing imagery as well as reviewing photos and navigating the printing menu.
Small selfie mirror is built into the front of the lens design for accurately composing self-portraits.
Compact design is easy to handle, and the body incorporates a large shutter release button on the front of the camera.
Built-in flash provides additional illumination when working in low-light conditions. This light is also used to indicate the self-timer countdown.
Built-in rechargeable lithium-ion battery is used to power the camera and supports printing up to approximately 100 images per charge. It can be charged via USB in approximately 2-3 hours.
Internal memory holds approximately 45 still images and a microSD/SDHC memory card slot can be used to expand storage capacity.
Reprints are possible from the camera's internal memory, the memory card, or from a smartphone's image library.
Bluetooth Connectivity
Bluetooth connectivity allows a smartphone to pair with the camera for remote shooting control as well as wireless printing of images from the smartphone.
Dedicated smartphone app allows you to preview images before printing as well as add colorful frames and filters.
Three shortcut buttons can be used to assign frames for printing, and these can be configured using the smartphone app.
The camera has a dedicated sound recording button, and audio can be recorded in conjunction with each exposure. This audio is associated to a unique QR code on the print, and audio playback is possible by reading the QR code with a smartphone.

Key Features
For Film, Broadcast & Video Production
Output: 4100 Lux at 3.3'
2000-10,000K CCT; RGB Color Control
27.5 x 23.2" Panel; AC/DC Operation
CRI 96 | TLCI 98 | TM-30 Rf 94, Rg 102
Onboard & App Control
13 Special Effects
5/8" Receiver & Magnetic Mounting
Includes Controller, Clamp & Grid
Includes Power Supply & Carry Bag

Rapid One-Step Height Adjustment!

SIRUI’s patent-Rapid System-is used here to save your time and energy.
You can just rotate the twist lock to fast extend or retract this monopod, which makes it convenient and easy to operate.
Thanks to this creation, you won’t miss any brilliant scene during fast- moving shooting.

Ergonomic design twist lock with rubber pad on it allows you to tighten or loosen this lock with less effort

This flexible monopod works well in fast-moving situations. Lightweight carbon fiber is added to further decrease the weight of this monopod, ideal for run-and-gun shooting

Black carbon fiber and metal gray look makes it merge unobtrusively into the background in low light situation, avoiding catching much attention of the models.

The mounting plate, monopod leg and tripod base can be detached and freely combined into a monopod, a monopod with feet or a tabletop tripod.
This is a versatile tool that serves many purposes:

Monopod / Monopod with feet - Suitable for daily shooting, simulating drone shooting, or situation not suitable for tripods.
With Extension Rod (sold separately) - Suitable for highly mobile situations, weight distribution of telephoto lenses and travel shooting.
Tabletop Tripod - Suitable for low angle shooting, tabletop shooting, close-up and handheld vlog shooting.
Rapid Setup & Breakdown Automatically Lock
Pull down the gray part once only to loosen and release the monopod adapter.
Even heavy equipment is mounted on the adapter, it is also safe and rapid to insert the equipment without aligning carefully.
And you can hold the equipment with both hands to install.

Optional Extension Rod
The max height of SVM145 is 145cm and the max height of SVM165 is 165cm.
And if the monopod is not high enough for some cases, the optional SVM-E extension rod (sold separately) can be added to help increase the height of this monopod by 30cm, ideal for higher shooting or simulating camera crane.
Moreover, this extension rod works well with Rapid System.
The Extension rod is also compatible with tabletop tripod!

Strong & Durable
This monopod has been rigorously tested;
Such as working temperature from -30℃ to 70℃, 48h parts salt spray corrosion test and 72h transportation test, pressure test, etc.
The Sirui SVM monopod does do a good job, so it is your best partner even in harsh environment

Recommended max load capacity: 5Kg

The bottom part (Tabletop Tripod) has a ballhead with 36° all directtions tilting in any directions gives you a lot of flexibility.

Retractable metal spikes are designed to meet different shooting needs

Carying bag is included.

Designed with a flexible and bright color output, GVM has improved the capabilities of the 200W Pro SD200B Bi-Color LED Monolight. The Pro version is a sturdy aluminum-constructed monolight suitable to light up most scenarios with its extended bi-color punch of 2700 to 6800K. Compact and versatile, the Pro SD200B ensures natural and faithful colors and provides intuitive onboard and remote control. The fixture can be powered worldwide with the included power supply, but it can also run using an optional power supply box combined with two separately available V-mount batteries.

Strong Output
A great fit for photo sessions, video work, and live broadcast setups, the Pro SD200B's maximum brightness is up to 34,200 lux at 3.3' with its included reflector (6800K).
Consistent Brightness and Color Accuracy
The light has an innovative algorithm that maintains consistent brightness for all color temperatures with smooth dimming from 0 to 100%. Users can accurately adjust the brightness by 0.1% so they can get exactly the right brightness level for what they want. Besides that, a high CRI/TLCI of 97 ensures advanced proficiency in color reproduction.
Lighting Modes and Effects
Select from three operating modes: CCT, source matching, and special effects. Twelve built-in lighting simulations include lightning, CCT cycle, candle, bad bulb, TV, paparazzi, explosion, breathing light, strobe, flame, fireworks, and welding. Additionally, 12 different styles of light sources are available to quickly match your shooting scenes.
Local, App, and DMX Control
You can easily control the unit onboard or remotely via an app. The fixture connects via Bluetooth and can be controlled in groups with GVM brand devices that support mesh networking. For advanced users and more complex studio setups, it also supports DMX-512 control mode with 8- and 16-bit precision.
Active Cooling
The Pro SD series is equipped with built-in fans that deliver efficient heat dissipation with three modes, including smart, high, and silent.
Widely Compatible
Bowens compatibility allows it to be used with a wide range of modifiers, which makes this LED a versatile tool for your lighting needs.
Additional Benefits
200W powerful light source
Built-in rear handles
Lightweight, suitable for both indoor and outdoor shooting
Includes padded carry case for storage and transport