Key Features
40MP APS-C X-Trans CMOS 5 HR BSI Sensor
4K 60p, 6.2K 30p 4:2:2 10-Bit Video
7-Stop In-Body Image Stabilization
425-Point Intelligent Hybrid AF System
3.69m-Dot OLED Electronic Viewfinder
3" 1.84m-Dot Tilting Touchscreen LCD
20 fps E. Shutter, 15 fps Mech. Shutter
160MP Pixel Shift Multi-Shot
Bluetooth and Wi-Fi Connectivity
ProRes & Blackmagic RAW via HDMI
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

FUJIFILM X-T5 Mirrorless Camera (Silver)
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

40MP APS-C X-Trans CMOS 5 HR BSI Sensor
Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.
Powerful Video Capabilities
A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.
External Raw Recording
Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.
425-Point Intelligent Hybrid AF System
Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.
In-Body Image Stabilization
Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Pixel Shift Multishot
Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.
Built for Speed
The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.
Enhanced Body Design
Large OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.
Large 3.0" 1.84m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.
Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.
Connectivity
Micro-HDMI port for outputting video to an external recorder or monitor.
USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.
3.5mm external microphone port for greater control over audio recording.
PC sync port for flash sync.
2.5mm remote port for using wired remote controllers.
Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

UPC: 074101206845
FUJIFILM XF 18-55mm f/2.8-4 R LM OIS Lens
Mixing versatility, speed, and a sleek design, the XF 18-55mm f/2.8-4 R LM OIS from FUJIFILM is a flexible 27-84mm-equivalent standard zoom for X-mount mirrorless cameras. Its bright f/2.8-4 maximum aperture range suits working in difficult lighting conditions and also helps to keep the overall and size and weight of the lens down. In regard to optics, this zoom features three aspherical elements and one extra-low dispersion element, which help to control spherical and chromatic aberrations in order to improve sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Additionally, benefitting use in a variety of situations, a linear motor delivers quick and quiet autofocus performance and a five stop-effective image stabilization system minimizes the appearance of camera shake.

Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 27-84mm equivalent focal length range.
One extra-low dispersion element is used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
Super EBC coating has been applied to individual elements to reduce lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
A linear motor autofocus system, coupled with an internal focusing design, delivers smooth, near-silent performance that is especially beneficial to video applications and when working in noise-sensitive areas.
Complemented by an enhanced gyro sensor and unique series of algorithms, the optical stabilization system minimizes the appearance of camera shake by up to four stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.
Rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.

Key Features
40MP APS-C X-Trans CMOS 5 HR BSI Sensor
4K 60p, 6.2K 30p 4:2:2 10-Bit Video
7-Stop In-Body Image Stabilization
425-Point Intelligent Hybrid AF System
3.69m-Dot OLED Electronic Viewfinder
3" 1.84m-Dot Tilting Touchscreen LCD
20 fps E. Shutter, 15 fps Mech. Shutter
160MP Pixel Shift Multi-Shot
Bluetooth and Wi-Fi Connectivity
XF 16-80mm f/4 R OIS WR Lens
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

FUJIFILM X-T5 Mirrorless Camera
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

40MP APS-C X-Trans CMOS 5 HR BSI Sensor
Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.
Powerful Video Capabilities
A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.
External Raw Recording
Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.
425-Point Intelligent Hybrid AF System
Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.
In-Body Image Stabilization
Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Pixel Shift Multishot
Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.
Built for Speed
The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.
Enhanced Body Design
Large OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.
Large 3.0" 1.84m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.
Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.
Connectivity
Micro-HDMI port for outputting video to an external recorder or monitor.
USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.
3.5mm external microphone port for greater control over audio recording.
PC sync port for flash sync.
2.5mm remote port for using wired remote controllers.
Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

UPC: 074101206975
FUJIFILM XF 16-80mm f/4 R OIS WR Lens
Well-suited for a wide variety of shooting situations, the FUJIFILM XF 16-80mm f/4 R OIS WR is a versatile 24-120mm-equivalent zoom, spanning wide-angle to medium-telephoto, and featuring a constant f/4 maximum aperture. Complementing this flexible design is an advanced optical layout, which includes a trio of aspherical elements and one ED aspherical element that help to minimize a variety of aberrations in order to produce high sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Also benefitting use in a variety of situations is a quick and quiet autofocus system along with a six stop-effective image stabilization system that minimizes the appearance of camera shake. Additionally, the lens is fully weather-sealed for working in inclement conditions.

Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-120mm equivalent focal length range.
One extra-low dispersion aspherical element is used greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
A Super EBC (Electron Beam Coating) coating has been applied to the entire surface of each element to for controlling ghosting and flare for greater contrast and color accuracy.
Quick and quiet autofocus performance benefits both stills and video applications.
An advanced Optical Image Stabilization system minimizes the appearance of camera shake by up to six stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.
Weather-sealed lens body protects against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.
Rounded nine-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.

Key Features
X-Mount Lens/APS-C Format
24-120mm (35mm Equivalent)
Aperture Range: f/4 to f/22
One ED Aspherical Element
Three Aspherical Elements
Super EBC Coating
Optical Image Stabilization
Weather-Sealed Construction
Rounded 9-Blade Diaphragm
Well-suited for a wide variety of shooting situations, the FUJIFILM XF 16-80mm f/4 R OIS WR is a versatile 24-120mm-equivalent zoom, spanning wide-angle to medium-telephoto, and featuring a constant f/4 maximum aperture. Complementing this flexible design is an advanced optical layout, which includes a trio of aspherical elements and one ED aspherical element that help to minimize a variety of aberrations in order to produce high sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Also benefitting use in a variety of situations is a quick and quiet autofocus system along with a six stop-effective image stabilization system that minimizes the appearance of camera shake. Additionally, the lens is fully weather-sealed for working in inclement conditions.

Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-120mm equivalent focal length range.
One extra-low dispersion aspherical element is used greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
A Super EBC (Electron Beam Coating) coating has been applied to the entire surface of each element to for controlling ghosting and flare for greater contrast and color accuracy.
Quick and quiet autofocus performance benefits both stills and video applications.
An advanced Optical Image Stabilization system minimizes the appearance of camera shake by up to six stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.
Weather-sealed lens body protects against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.
Rounded nine-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.

The Leofoto FL-L120N LED Panel is a professional and portable light source for those who need extra light when shooting video or photos. It weighs just 185 grams and its slim and compact shape means it takes up little space in your camera backpack. The FL-L120N is perfect for use as a fill light and is an excellent addition to your photography or video equipment.

Allround tripod with ball head
If you are looking for a compact allround tripod, you will be happy with the SIRUI AM-1204K. With its powerful ball head K-10X and the integrated monopod, the small tripod offers everything a photographer needs. Whether in the bustling city, exploring exciting landscapes, on travels or in the home studio, the AM-1204K is reliably at your side. And the 48 cm pack size turns into a tripod up to 169 cm tall.

Turn tripod into monopod
One leg of the tripod can be removed and used as an independent monopod. This feature turns the AM-1204K into a 2in1 tripod that will have you ready for any situation. If that's not enough, you can even extend the monopod with the center column to an incredible 173 cm working height (with head).

If you prefer it low, you can also mount the center column upside down. Your camera has never been closer to the ground!

Stability and intuitive operability
With its non-slip rubber feet and the included metal spikes, the tripod stands securely on any surface. For more stability, the load hook on the center column can be loaded with e.g. a backpack. The 4 leg sections can be loosened and locked again in no time via the turn locks (ring locks). Thanks to the two soft foam rubber handles, you always have a secure grip on your tripod. In winter, they also serve as protection against the cold.

Compact pack size
The proven 180° folding function of the legs also makes this SIRUI tripod a true packing miracle. The AM-1004 measures just 48 cm when packed. The ball head is completely enclosed.

Including ball head K-10X
It is equipped with the Safety Lock System against accidental slipping of the interchangeable plate. It also has a leveling bubble and a 360° panoramic scale. It is compatible with the Arca Swiss system.

Features
- Monopod integrated
- Carbon 8-layer in 4 sections
- Reversible 1/4" and 3/8" screw for tripod heads or camera
- Fixation screw for tripod head
- Center column protected against twisting
- Accessory connection 1/4" for microphone, light etc.
- Legs can be folded upwards by 180°
- Sealed twist locks ensure a firm hold
- Stabilizing hooks and cold protection handles

Technical data tripod including ball head
- Min. height with centre column: 500mm
- Height without centre column: 620mm
- Max. Height with center column: 1693mm
- Height of insertion tripod: 500-173mm
- Pack size: 480mm
- Tube diameter: 15 - 26mm
- Weight: 1.68kg
- Max. Load capacity: 12kg
- Material: Carbon

Technical data ball head
- Weight: 0,35kg
- Height: 93mm
- Ball diameter: 33mm
- Base diameter: 49mm
- Max. Load capacity: 20kg
- 3 levelling bubbles and safety pin
- Incl. interchangeable plate (Arca Swiss compatible)
- Material: aluminium

Scope of delivery
1x SIRUI AM-1204K tripod/monopod carbon
1x SIRUI K-10X ball head aluminium with interchangeable plate
3x metal spikes
1x carrying bag

Key Features
For Photo, Video & Film Production
Output: 700 Lux at 3.3'
2500–8000K CCT; RGB Mode
Local, DMX, and Bluetooth Control
CRI 97 | TLCI 97
14 Built-In Special Effects
Battery Power / AC Power
Versatile in form and function, the Telescopic RGB Tube Light from SIRUI expands the creative potential of any shoot with its adjustable length and full spectrum of color outputs. The tube light is built to extend from 2 to 4', while the RGB and hue, saturation, and intensity modes allow for precision color selection. The color temperature range spans from 2500K to 8000K with an additional green/magenta adjustment for blending with any ambient light situation. The light also features 14 built-in special effects including police car, broken bulb, and candle.

A companion iOS/Android app allows for full functional control of the light via your phone with Bluetooth from distances up to 49'. Connect and control light groups with the app or with dual 3.5mm DMX interfaces. The light is powered by an internal lithium-ion battery that lasts for up to 2.5 hours on a full charge. The light can also be used while connected to the included charging adapter. A 1/4"-20 thread on the bottom lets you mount the light on an optional mini tripod or other compatible support.

Key Features
46" Quiet Motorized Sliding Range
Supports Cameras up to 11 Pounds
Programmable Shooting Modes
Straight, Parallax, or 120° Panning
Height-Adjustable Legs
Three 1/4"-20 & 3/8"-16 Mounting Points
NP-F-Type Battery Lasts About 8 Hours
6 x Camera Control Cables Included
The 48" GVM Professional Video Aluminum Alloy Motorized Camera Slider features an 11-pound horizontal load capacity as well as a 46" slider range, but that is just the tip of its capabilities. It has an attached controller that enables you to select and control the start/stop positions of the slider along the track, as well as selecting between video and still photo mode. The aluminum rail bed features an adjustable channel that allows you to shoot straight (perpendicular to the track rails) in a parabola to keep a subject centered as the camera tracks from side to side, or it can create a 120° panoramic camera move.

The height-adjustable feet are individually adjustable up to 0.79", allowing you to set up the slider on slightly uneven or non-level terrain, while three 1/4"-20 and three 3/8"-16 threaded mounting holes enable tripod mounting. The slider is powered via a removable 4400mAh NP-F-type battery that will run the slider for about eight hours. Six different camera control cables are included allowing the slider controller to interface with most cameras.

Programmable Modes
Automatic: Allows you to set the sliding range along the slider as it cycles between the end points of the range.
Video capture: Suitable for interviews as the motor is silent.
Delay shooting: Single-frame shooting (time-lapse) with a selectable delay between 1 and 1000.
Orientation
Adjusting the channel between the support rails allows you to adjust the position of your head on the slider as it moves between the ends of the slider track. The channel can be positioned so there is no movement during the slide. You can also set it so the camera shoots in a parabola to keep the subject centered during the move, or it pans the camera up to 120° to create a panoramic shot.
Camera Compatibility
The slider includes six cables that enable the controller to interface with a variety of cameras from Canon, Sony, Nikon, Pentax, GoPro, Fuji, Panasonic, Lycra, Olympus, Samsung, and others.

Key Features
30" Quiet Motorized Sliding Range
Supports Cameras up to 11 Pounds
Programmable Shooting Modes
Straight, Parallax, or 120° Panning
Height-Adjustable Legs
Three 1/4"-20 & 3/8"-16 Mounting Points
NP-F-Type Battery Lasts About 8 Hours
6 x Camera Control Cables Included
The 32" GVM Professional Video Aluminum Alloy Motorized Camera Slider features an 11-pound horizontal load capacity as well as a 30" slider range, but that is just the tip of its capabilities. It has an attached controller that enables you to select and control the start/stop positions of the slider along the track, as well as selecting between video and still photo mode. The aluminum rail bed features an adjustable channel that allows you to shoot straight (perpendicular to the track rails) in a parabola to keep a subject centered as the camera tracks from side to side, or it can create a 120° panoramic camera move.

The height-adjustable feet are individually adjustable up to 0.79", allowing you to set up the slider on slightly uneven or non-level terrain, while three 1/4"-20 and three 3/8"-16 threaded mounting holes enable tripod mounting. The slider is powered via a removable 4400mAh NP-F-type battery that will run the slider for about eight hours. Six different camera control cables are included allowing the slider controller to interface with most cameras.

Programmable Modes
Automatic: Allows you to set the sliding range along the slider as it cycles between the end points of the range.
Video capture: Suitable for interviews as the motor is silent.
Delay shooting: Single-frame shooting (time-lapse) with a selectable delay between 1 and 1000.
Orientation
Adjusting the channel between the support rails allows you to adjust the position of your head on the slider as it moves between the ends of the slider track. The channel can be positioned so there is no movement during the slide. You can also set it so the camera shoots in a parabola to keep the subject centered during the move, or it pans the camera up to 120° to create a panoramic shot.
Camera Compatibility
The slider includes six cables that enable the controller to interface with a variety of cameras from Canon, Sony, Nikon, Pentax, GoPro, Fuji, Panasonic, Lycra, Olympus, Samsung, and others.

Key Features
2 Lights with Stands and Case
For Studio and Video Production
Output: 2000 Lux at 3.3' (5600K)
3200 to 5600K CCT; Bi-Color Control
13.4 x 12.7" Panel; AC/DC Operation
CRI 97 | TLCI 97
On-Board and Wireless Control
Passive Cooling for Silent Operation
0-100% Dimming
Set of 4-Leaf Barndoors and Diffuser
This 672S-B Bi-Color LED Panel 2-Light Kit from GVM offers a complete lighting system with advanced color and power options. The kit includes two black 672S-B bi-color LED panels, each with a set of 4-way barndoors, an AC power adapter, a soft filter, and a light stand. A wireless remote for control and a case for storage and transport are also included.

The panel measures just 10.3 x 9.3 x 3" and is designed to meet ambient light challenges for creative expression. It has a variable color temperature range of 3200 to 5600K and high 97 CRI/TLCI ratings to indicate accurate color.

The panel has a wide beam spread that you control with the four-way barndoors. Simply swing one or more of the barndoor leaves into the path of the beam to keep light from areas you don't want illuminated. The light is dimmable and you can make adjustments locally on the fixture or wirelessly with up to 120 fixtures via GVM's 12-channel Multi-Function Master/Slave Control or with the included wireless remote control. The panel is powered via the included 110-220V AC adapter, but it will also run on user supplied NP-F-type batteries when mains power is unavailable. The light comes with a diffusion filter to soften the bright LEDs.

Complete lighting system with advanced color and power options
Variable color temperature range of 3200 to 5600K
High CRI/TLCI ratings are 97 for accurate color
Dimmable fixture with wide beam spread
Includes barndoors and diffuser
Dual-voltage for worldwide use
Runs on optional NP-F-type batteries when mains power is unavailable

Key Features
30" Quiet Motorized Sliding Range
Supports Cameras up to 11 Pounds
Programmable Shooting Modes
Straight, Parallax, or 120° Panning
Height-Adjustable Legs
Three 1/4"-20 & 3/8"-16 Mounting Points
NP-F-Type Battery Lasts About 8 Hours
Ball Joint Head Included
6 x Camera Control Cables Included
The 32" GVM Professional Video Carbon Fiber Motorized Camera Slider features an 11-pound load capacity as well as a 30" slider range along the carbon fiber rails, but that is just the tip of its capabilities. It has an attached controller that enables you to select and control the start/stop positions of the slider along the track, as well as selecting between video and still photo mode. The carbon fiber rail bed features an adjustable channel that allows you to shoot straight (perpendicular to the track rails) in a parabola to keep a subject centered as the camera tracks from side to side, or it can create a 120° panoramic camera move.

The height-adjustable feet are individually adjustable up to 0.79", allowing you to set up the slider on slightly uneven or non-level terrain, while three 1/4"-20 and three 3/8"-16 threaded mounting holes enable tripod mounting. The slider is powered via a removable 4400mAh NP-F-type battery that will run the slider for about eight hours. An included ball joint head mounts on the slider carriage and allows you to orient your camera easily and hold its position as it moves along the track. Six different camera control cables are included, allowing the slider controller to interface with most cameras.

Load Capacity
The slider supports up to 11 pounds when horizontal, and 5.5 pounds when set at a 30° incline.
Programmable Modes
Automatic: Allows you to set the sliding range along the slider as it cycles between the endpoints of the range.
Video capture: Suitable for interviews as the motor is silent.
Delay shooting: Single-frame shooting (time-lapse) with a selectable delay between 1 and 1000.
Orientation
Adjusting the channel between the support rails allows you to adjust the position of your head on the slider as it moves between the ends of the slider track. The channel can be positioned so there is no movement during the slide. You can also set it so the camera shoots in a parabola to keep the subject centered during the move, or it pans the camera up to 120° to create a panoramic shot.
Camera Compatibility
The slider includes six cables that enable the controller to interface with a variety of cameras from Canon, Sony, Nikon, Pentax, GoPro, Fuji, Panasonic, Lycra, Olympus, Samsung, and others.

Key Features
5600K Color Temperature, 97+ CRI/TLCI
120° Beam Angle, Dims 0-100%
Multi-Voltage Adapter, Quiet Fan Cooling
AC Adapter, Aluminum Construction
Employing a familiar, easy-to-use monolight form factor, the Daylight LED Video Light S300S from GVM is a versatile light source with a daylight color temperature of 5600K to blend seamlessly when shooting outdoors or in situations where daylight-balanced light fixtures are used. The light's high CRI/TLCI rating of 97 is an indicator of advanced accuracy in rendering color. The S300S has beam spread options for selective lighting or wide coverage, and is dimmable from 0 to 100%. You can make adjustments to light intensity using the included wireless remote control or from a console via onboard DMX.

The aluminum-constructed S300S runs on AC voltage using the included multi-voltage adapter, and it has a Bowens-front accessory mount for the reflector and for access to the many modifiers that use this popular mount.

Benefits
300W COB daylight LED lamp head, which is closer to the natural light
Supports DMX console and remote control operation
Supports multiple modes, including Master, DMX, Rotate, and Slave
Quiet fan cooling
CRI/TLCI: 97+
Dims 0-100%
Bowens front accessory mount
Onboard DMX

This Godox FL-SF30120 30x120cm Strip Softbox with GRID for Flexible LED Panel from Godox fits the FL150R Flexible LED rectangular panel by attaching directly to the panel’s included X-mount holder.

Improve your low-light photography with the Godox LEDM32 Smartphone Mini Light. This light contains 32 LEDs and clips directly onto your smartphone to provide soft, even, diffused illumination for photos and videos. It puts out 120 lux of cool 5200K light from 1.6' away and has an adjustable brightness function, enabling you to reduce brightness down to 10% of maximum. Optically-controlled flash fire helps with sync and the internal battery lasts for up to 45 minutes on a charge and can be recharged using its micro-USB port.

the MS200-V Studio Flash Monolight from Godox is a 5800K flash source that replaces the original 150W halogen lamp model with a 10W LED modeling lamp that draws very little power with great brightness. It features a 0.1 to 1.8 second recycling time with flash durations as short as 1/2000 sec. Power is variable from 1/32 to full power while the 10W LED modeling light is adjustable from 5 to 100%. Triggering options include sync cord, optical, test button, and wireless power control. The MS200-V is ready to run on 110 to 120 VAC mains power. It has a Bowens mount for wide compatibility with optional accessories.

Additional Benefits
Outstanding, stable output for studio work
Well-suited for portraits and product shots
Built-in 2.4 GHz wireless system
Works with optional X1, X2, XT-16, or FT-16 triggers to control power ratio, modeling lamp, buzzer, as well as flash triggering
LCD screen for onboard control

the MS300-V Studio Flash Monolight from Godox is a 5800K flash source that replaces the original 150W halogen lamp model with a 10W LED modeling lamp that draws very little power with great brightness. It features a 0.1 to 1.8 second recycling time with flash durations as short as 1/2000 sec. Power is variable from 1/32 to full power while the 10W LED modeling light is adjustable from 5 to 100%. Triggering options include sync cord, optical, test button, and wireless power control. The MS300-V is ready to run on 110 to 120 VAC mains power. It has a Bowens mount for wide compatibility with optional accessories.

Additional Benefits
Outstanding, stable output for studio work
Well-suited for portraits and product shots
Built-in 2.4 GHz wireless system
Works with optional X1, X2, XT-16, or FT-16 triggers to control power ratio, modeling lamp, buzzer, as well as flash triggering
LCD screen for onboard control

Godox QS series are available in several power versions from 300Ws to 1200Ws, they are characterized by a range of flash energy regulation in the range of 5 degrees of aperture (1/1 - 1/32, with an accuracy of 0.1 EV). Recycle time to full flash energy in less than 1.5 seconds. At minimal power, it achieves a very short flash duration, only 1/2000s (t = 0.1), which allows free shooting during the session. The flash color temperature is 5600K and may change within ± 200K depending on the flash energy set.

Built-in System X receiver enables remote flash firing (until X-Sync), flash energy control and many more. It is also possible to use the 3.5 mm Jack socket and connect the lamp with triggers of other brands.

Back panel of the lamp is simple and functional. The LCD screen showing the lamp settings is also easy to read from a large angle. Next to it is a handy knob for adjusting the flash output, changing the radio communication channel and the group of lamps. Placed under the LCD screen a series of five buttons gives quick access to all settings and functions of the lamp. The 150 W halogen pilot light can operate independently of the flash output (brightness can be set manually), or be coupled with flash energy (proportional). In addition, it can be turned off automatically for a flash or stay on without interruption.

With the lamp you can use a wide range of light modifiers, such as: bowls, softboxes, spotlights, beauty disheres, and others are fitted with Bowens accessories.

Set contains:

Godox QS300II lamp
power cable
modeling lamp
flashtube cover
original packaging.

the QS400II Flash Head from Godox is a 5600K daylight-balanced flash source with sophisticated core and convenience features at an affordable price point. The head features 0.3-1.5 sec. recycling with flash durations as short as 1/2000 sec. Power is variable from 1/32 to full power, adjustable in 50 steps, while the 150W modeling light has a Proportional mode to aid in light placement and a Percentage mode that adjusts brightness from 5 to 100%. Settings are accessed via rear panel push buttons and displayed on the easy-to-read LCD screen. Triggering options include sync cord, test button, and slave triggering. The QS400II has a built-in 32-channel X1 radio system, making wireless function control possible with separate purchase of the XT16, FT16 or X1 transmitter. The head also has an anti-pre-flash function that makes it easy to work with point-and-shoot and other cameras that employ pre-flash. The QS400II weighs in at 6.0 lb, making it easy to assemble a kit with 2 or more heads without having to lug a heavy case around. The QS400II has a Bowens front accessory mount allowing it to use Godox modifiers as well as accessories from the many manufacturers that use this system. The head has a tilting stand mount and runs on 100 to 120 VAC mains power.

Built-In 2.4 GHz Wireless X System
Use TTL wireless trigger X1 as well as power remotes XT16 or FT16 to wirelessly control the head's power, modeling light, triggering, and more. The system has 32 radio channels and 16 groups.
Fast Recycling and Flash Duration
The QSII series features 0.3 to 1.5 sec recycling and 1/800 to 1/2000 sec flash durations.
Precise Power Adjustment
Power can be adjusted from 1/32 to 1/1 (6 stops) in 50 steps in 0.1 increments
The 150 W modeling light has 3 modes: Off, Proportional, and Percentage (5 to 100%)
Slave Trigger Modes
The flash head has Off, S1, and S2 slave trigger modes. The head can sync with cameras that fire one pre-flash.
Easy Operation
Keyboard and multi-function buttons
Easily read LCD screen displays settings and functions
Safe and Reliable
Glass flash tube and modeling light cover and precise power isolation.

the QS600II Flash Head from Godox is a 5600K daylight-balanced flash source with sophisticated core and convenience features at an affordable price point. The head features 0.3-1.5 sec. recycling with flash durations as short as 1/2000 sec. Power is variable from 1/32 to full power, adjustable in 50 steps, while the 150W modeling light has a Proportional mode to aid in light placement and a Percentage mode that adjusts brightness from 5 to 100%. Settings are accessed via rear panel push buttons and displayed on the easy-to-read LCD screen. Triggering options include sync cord, test button, and slave triggering. The QS600II has a built-in 32-channel X1 radio system, making wireless function control possible with separate purchase of the XT16, FT16 or X1 transmitter. The head also has an anti-pre-flash function that makes it easy to work with point-and-shoot and other cameras that employ pre-flash. The QS600II weighs in at 6.4 lb, making it easy to assemble a kit with 2 or more heads without having to lug a heavy case around. The QS600II has a Bowens front accessory mount allowing it to use Godox modifiers as well as accessories from the many manufacturers that use this system. The head has a tilting stand mount and runs on 100 to 120 VAC mains power.

Built-In 2.4 GHz Wireless X System
Use TTL wireless trigger X1 as well as power remotes XT16 or FT16 to wirelessly control the head's power, modeling light, triggering, and more. The system has 32 radio channels and 16 groups.
Fast Recycling and Flash Duration
The QSII series features 0.3 to 1.5 sec recycling and 1/800 to 1/2000 sec flash durations.
Precise Power Adjustment
Power can be adjusted from 1/32 to 1/1 (6 stops) in 50 steps in 0.1 increments
The 150 W modeling light has 3 modes: Off, Proportional, and Percentage (5 to 100%)
Slave Trigger Modes
The flash head has Off, S1, and S2 slave trigger modes. The head can sync with cameras that fire one pre-flash.
Easy Operation
Keyboard and multi-function buttons
Easily read LCD screen displays settings and functions
Safe and Reliable
Glass flash tube and modeling light cover and precise power isolation.

Godox SK300II Overview
Key Features

300Ws, 5600K Color Temperature
Halogen Modeling Lamp
0.1 to 1 Second Recycling
Flash Duration: 1/800 to 1/2000 Second
1/16 to 1/1 Power Range
Multiple Trigger Modes
Supports Wireless Control
Guide Number: 190'
100-120 VAC
with a guide number of 190, the SK300II Studio Strobe from Godox is a 5600K daylight-balanced flash source that offers solid core and convenience features at a budget-friendly price point. The head features a 0.4-2.5 sec recycling time with flash durations as short as 1/2000 sec. Power is variable from 1/16 to full power, adjustable in 40 steps, while the 150W modeling light has a Proportional mode to allow you to preview your lighting effects and a Percentage mode that adjusts brightness from 5 to 100%. Settings are accessed via rear panel push buttons and displayed on the easy-to-read LCD screen. Triggering options include sync cord, test button, and slave triggering. The SK300II has a built-in 32-channel X1 radio system, making wireless function control possible with separate purchase of the XT16, FT16 or X1 TTL transmitter. The head also has an anti-pre-flash function that makes it easy to work with point-and-shoot and other cameras that employ pre-flash. The SK300II weighs in at 4.2 lb, encouraging the assembly of a kit with two or more heads without having to lug a heavy case around. The SK300II has a Bowens front accessory mount, allowing it to use Godox modifiers as well as accessories from the many manufacturers that use this system. The head has a tilting stand mount and runs on 100 to 120 VAC mains power.

Built-In 2.4 GHz Wireless X System
Use TTL wireless trigger X1 as well as power remotes XT16 or FT16 to wirelessly control the head's power, modeling light, triggering, and more. The system has 32 radio channels and 16 groups.

Fast Recycling and Flash Duration
The SK300II features 0.4-2.5 sec recycling and 1/800 to 1/2000 sec flash durations.

Precise Power Adjustment
Power can be adjusted from 1/16 to 1/1 in 40 steps. The 150W modeling light has 3 modes: Off, Proportional, and Percentage (5 to 100%)

Interface
Keyboard and multi-function buttons. The LCD screen displays settings and functions.

Godox SK400II

Overview
the SK400II Studio Flash Monolight from Godox is a 5600K daylight-balanced flash source that offers solid core and convenience features at a budget-friendly price point. The head features a 0.1 to 1 second recycling time with flash durations as short as 1/2000 sec. Power is variable from 1/16 to full power, adjustable in 40 steps, while the 150W modeling light has a Proportional mode to allow you to preview your lighting effects and a Percentage mode that adjusts brightness from 5 to 100%. Settings are accessed via rear panel push buttons and displayed on the easy-to-read LCD screen. Triggering options include sync cord, test button, and slave triggering. The SK400II has a built-in 32-channel X1 radio system, making wireless function control possible with separate purchase of the XT16, FT16 or X1 TTL transmitter. The head also has an anti-pre-flash function that makes it easy to work with point-and-shoot and other cameras that employ pre-flash. The SK400II weighs in at 4.6 lb, encouraging the assembly of a kit with two or more heads without having to lug a heavy case around. The SK400II has a Bowens front accessory mount, allowing it to use Godox modifiers as well as accessories from the many manufacturers that use this system. The head has a tilting stand mount and runs on 100 to 120 VAC mains power.

Built-In 2.4 GHz Wireless X System
Use TTL wireless trigger X1 as well as power remotes XT16 or FT16 to wirelessly control the head's power, modeling light, triggering, and more. The system has 32 radio channels and 16 groups.
Fast Recycling and Flash Duration
The SK400II features 0.1 to 1 second recycling and 1/800 to 1/2000 sec flash durations.
Precise Power Adjustment
Power can be adjusted from 1/16 to 1/1 in 40 steps. The 150W modeling light has 3 modes: Off, Proportional, and Percentage (5 to 100%).
Interface
Keyboard and multi-function buttons. The LCD screen displays settings and functions