Compatible with Sony TTL and optimized for dental photography, the MF-R76S+ Dental Macro Ring Flash from Godox delivers an adjusted, improved performance for dental shootings. It illuminates teeth in every direction with a soft and even light, eliminating unwanted vignetting and shadows. The ring light consists of two components: a controller that slips into your camera's hot shoe, and the ring flash, which mounts on your lens. Godox includes 49, 52, 55, 58, 62, 67, 72, and 77mm adapter rings to ensure wide compatibility with most lenses. With a guide number of 45.9' at ISO 100, the MF-R76S+ provides detailed, wrap-around lighting for your close-ups.

Adding to the unit's versatility, the MF-R76S+ offers TTL and manual modes combined with HSS, first, and second curtain sync capabilities. Besides that, two focus-assist lamps with 10 adjustable levels of power ratio are useful for low light scenes. The control unit powers the system via an included rechargeable lithium battery to ensure long-lasting shoots, giving you up to full-power 550 flashes. A large panel conveniently displays flash settings for easy navigation and control. Godox also supplies a charger, a USB-C cable, and a storage bag.

Practical Dental Photography Guide
For best results taking dental photographs, your camera should be set to manual exposure mode with a shutter speed of 1/200s at ISO 100. Godox also recommends a distance of 5' between the shooter and the subject. Additionally, setting your lens to manual focus is suggested. The MF-R76S+ will help you to capture images at different stages of the dental treatment to easily compare the patient's progress.

Compatible with DSLR cameras with a hot shoe, the ML-150 II Macro Ring Flash from Godox illuminates your subject with soft, nearly shadowless light that reveals every detail. The ring light consists of two components: a controller, which slips into your camera's hot shoe, and the ring flash, which mounts on your lens. Godox includes 49, 52, 55, 58, 62, 67, 72, and 77mm adapter rings to insure wide compatibility. The control unit is the brain and power pack of the system. The manual unit can regulate light intensity in 11 steps and recycles in 0.1 to 2 seconds and runs on four AA batteries that give you 300 to 1000 flashes.

Use this S60 LED Focusing Light from Godox for when you require variable beam focus backed by control and power options. The light has an expansive focusable beam spread of 6 to 55 degrees so you can use it as an accent light, a hair light, a long throw fixture, or a selective lighting tool. At 55 degrees it is easy to fill a silk or light a group. The included barndoors allow you to further shape the light.

The S60 has a solid, consistent color temperature of 5600K that can be converted to tungsten balance with a simple gel filter, and is dimmable from 0-100%. While you can make these adjustments locally on the fixture, Godox offers several ways to make them remotely. The S60 is controllable from a console via onboard DMX, wirelessly with a smartphone app, or with an optional remote controller that has a range of 164'. The S60 is ready for worldwide use thanks to its 100 to 240V power supply, but you can also run it via its controller's V-mount battery plate when AC power is unavailable.

Precise Control of Light Coverage
With a beam angle from 6 to 55 degrees, you can get the output spread size you need by adjusting the rotary knob on the back. An optional projecting lens makes it useful lighting details.
Outstanding Lighting Effects
An aspheric optical lens gives the S60 CRI/TLCI ratings of 96+/97+ and guarantees natural, pristine color in any application. The light intensity of the focused spot yields an increase of around 4 stops from its flood setting. It also offers adjustable brightness from 1-100% for more flexible control.
A Choice of Light Shapers
The S60 was created for diverse lighting style abilities. With the many light shaping accessories such as barndoors, you can tailor the light to whatever pattern you require.
Even Beam
Aspheric optical lens yields even light from edge to edge.
Power Anywhere
The S60 comes with a separate control box which supports AC power or an optional V-mount battery for location shooting.

Godox V350

Overview


With advanced functions including high-speed sync, a built-in 2.4 GHz radio system, and a rechargeable lithium-ion battery capable of 500 full power flashes, the compact V350F Flash from Godox is a valuable asset for Fujifilm camera users. With a lightweight design and guide number of 118' at ISO 100 and 105mm, the V350F is useful for both on-camera and off-camera operation. Users can also use it as an optical slave in addition to use as a radio TTL master/slave unit. It is versatile as well, with the ability to tilt from -7 to 90° and rotate 270°. Multiple functions and features built into the unit, includes HSS, stroboscopic flash, 1st and 2nd curtain sync, and a fast recycle time of 0.1 to 1.7 seconds. The flash is compatible with numerous Fujifilm cameras, see features for the list.

Rechargeable Li-Ion Battery
Removable, rechargeable battery delivers up to 500 full power flashes on a full charge, while recycling at a fast 0.1 to 1.7 sec.
XProF Wireless Radio System
An integrated 2.4 GHz XProF radio system is incorporated for wireless triggering with a separately purchased transmitter with a range of 164'. The system supports all of the flash's major functions.
Ample Power
With a guide number of 118' at ISO 100 and 105mm, the V350F will provide ample illumination for most subjects. It also features a zoom head with a range of 24-105mm and a 14mm wide-angle panel for using a variety of different lenses.
Flexible Design
The flash head can be tilted from -7 to 90° and rotated a total of 270° for controlling bounce and where the light falls on the scene.
AF Assist Beam
Autofocus assist beam, with a 2-13.1' range in the center of the frame, enables faster, more accurate focusing under low-light conditions.
Compatible Cameras
Fujifilm: GFX50S, X-Pro2, X-T20, X-T2, X-T1, X-Pro1, X-T10, X-E1, X-A3, X100F, and X100 T (rear-curtain sync and HSS may not be supported depending on your model)
In the Box
Godox V350F Flash for Select Fujifilm Cameras
Mini Stand
Protective Case
Diffuser
Li-Ion Battery Pack
Battery Charger
Charger Cable
Limited 1-Year B&H Warranty
User Manual

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The NiSi Adaptor Ring for Swift System Filters is designed for use with the NiSi Swift System. It allows a filter designed for the NiSi Swift System (same filter thread size) to be used directly on the lens without the NiSi True Color 1-5 Stops VND. The Swift System filters attach to the adaptor ring simply by pressing them onto the front of the adaptor. The ring is made of aluminum for durability.

The Cinema C5 Matte Box Filmmaker Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads. Also included with this kit are a True Color VND 1-5 Stops filter, an FS ND16 4 x 5.65" filter, and a 1/8 Black Mist 4 x 5.65" filter.

The Cinema C5 Matte Box Cinema Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads. Also included with this kit are a True Color VND 1-5 Stops filter, a True Color Rotating PL filter, an FS ND16 4 x 5.65" filter, and a 1/8 Black Mist 4 x 5.65" filter.

The Cinema C5 Matte Box Starter Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads.

This 82mm Black Mist 1/4 Filter from NiSi is a diffusion filter designed to fit the Swift System True Color VND (Variable Neutral Density) filter. The black mist design suppresses highlights and lifts shadows for well-balanced contrast, while maintain a strong center with a pleasing glow from light sources. It can be used to add a cinematic look by reducing highlights and lowering contrast to create a soft, pastel-like quality of light. With an extra layer of black specks, this filter provides little loss of detail across the image compared to traditional diffusion filters, while also softening wrinkles and blemishes for easy portraiture. In addition to portrait photography, Black Mist filters can also be used in other scenes, such as night photography, landscape, and still life, to create a cinematic atmosphere. Black Mist adds extra blooming and gradients to the highlights in a scene. Any direct light source will become more film-like, with a smoother, buttery texture around the highlights.

Made of optical glass, this filter has anti-reflective multicoating to reduce lens glare and optimize light transmission. It also features a protective nano multi-coating that is waterproof, making it ideal for use in any type of photography and in harsh environments. This filter can be used with the Swift Friction Mount System adapter ring or added on to the NiSi True Color VND 1-5 Stop / 5-9 stop variable ND filters for even more protection against light.

This 82mm Black Mist Filter for True Color VND Swift System from NiSi is a classic style diffusion filter compatible with the NiSi Swift System adapter ring, or to add on to the NiSi True color VND 1-5 stop variable ND filter. Inspired by the popular cinema range "Allure Mist Black" and recreated as a circular filter. Compatible with both still imaging or video, a Black Mist filter lowers contrast by suppressing and diffusing highlights and lifting shadows to help balance the tonal range of the image. It creates a cinematic look and is also commonly used to soften wrinkles, blemishes and creates a flattering image of a subject. The effect is most effective when capturing light that diffuses softly when backlit, creating a transparent light that looks like it was taken with a high-quality vintage lens.

Each optical glass surface features NiSi's nano coating for an improved beading effect when in contact with water, oil, or grease for greater cleaning efficiency.

The 82mm Swift True Color Pro Nano CPL for True Color VND and Swift System from NiSi reduces glare and reflections from non-metallic surfaces, increases saturation and vibrancy in the sky and foliage. It provides a closer true color representation of the scene by eliminating the warming effect that many other polarizers may create.

A Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. This results in a noticeable reduction of glare and reflections and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water, or behind glass. Made of premium optical glass, this filter features the proprietary NiSi Pro Nano Coating, which helps reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in cleaning unwanted fingerprints, dust, and water stains.

The NiSi Swift System works seamlessly with the NiSi True Color 1-5 stop VND Variable ND filter, allowing the capability to be expanded by simply by pressing additional filters on the front. By adding the NiSi Swift True Color Pro Nano CPL Filter, the NiSi True Color 1-5 stop VND Variable ND filter is expanded to a 1-5 VND filter with CPL. Or use the NiSi Swift True Color Pro Nano CPL Filter with the separately available adaptor ring to attach it directory to a lens.

The 82mm ND16 Filter for True Color VND and Swift System from NiSi expands the NiSi True Color 1-5 stop VND (Variable Neutral Density filter) to a 5-9 stop VND when bright shooting conditions requires more density. Adding density allows a wider aperture to be used for finer control over depth of field, allowing increased bokeh to help isolate the subject of an image. It can also provide a longer shutter time to add image blur or enhance an image's sense of motion. This filter can also be used as a standalone ND filter when combined used with the Swift Friction Mount System adapter ring.

Made of optical glass, this filter has anti-reflective multicoating to reduce lens glare and optimize light transmission. It also features a protective nano-coating that is waterproof, making it ideal for use in any type of photography and in harsh environments.

Enjoy finer exposure control with minimal color shift by adding an 86mm True Color ND-VARIO Pro Nano 1 to 5-Stop Variable ND Filter from NiSi to your kit. These filters are designed to reduce exposure while maintaining "True Color" with minimal color shift. Their 1 to 5-stop ND range has hard stops at each end that will ensure the "X" effect will not appear in your images. Being able to seamlessly adjust exposure will ensure the images are being captured at their best quality.

The filter is made of high-definition optical glass and features NiSi Nano coating that offers anti-reflective properties to reduce flare and ghosting. Also, the filter is water- and oil-resistant to make it easy to clean and shoot in inclement weather. The lens comes with a removable rotating lever for easier operation. The 86mm front filter thread allows an additional filter to be stacked on front of this filter with only a minimal chance of vignetting when used with wide-angle lenses. It is recommended that this filter is used on 35mm (full-frame equivalent, 28mm for APS-C) or longer focal length lenses.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this black, FUJIFILM X-mount Sniper 23mm f/1.2 Autofocus Lens is an ultrafast prime with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking, even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 35mm full-frame equivalence is appropriate for street photography, travel, indoor architecture, and wider scenes. The lens features high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens' soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this silver, FUJIFILM X-mount Sniper 23mm f/1.2 Autofocus Lens is an ultrafast prime with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking, even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 35mm full-frame equivalence is appropriate for street photography, travel, indoor architecture, and wider scenes. The lens features high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens' soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this white, FUJIFILM X-mount Sniper 23mm f/1.2 Autofocus Lens is an ultrafast prime with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking, even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 35mm full-frame equivalence is appropriate for street photography, travel, indoor architecture, and wider scenes. The lens features high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens' soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this black, FUJIFILM X-mount Sniper 33mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 50mm full-frame equivalence is appropriate for various scenarios, including portraits, food, and still life. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this silver, FUJIFILM X-mount Sniper 33mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 50mm full-frame equivalence is appropriate for various scenarios, including portraits, food, and still life. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this white, FUJIFILM X-mount Sniper 33mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 50mm full-frame equivalence is appropriate for various scenarios, including portraits, food, and still life. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.

Part of Sirui's inaugural set of autofocus lenses designed for APS-C cameras, this black, FUJIFILM X-mount Sniper 56mm f/1.2 Autofocus Lens is an ultra-fast prime lens with shallow depth of field and high-quality bokeh that produces sharp, in-focus imagery with clear subject isolation. The quick and accurate autofocus supports eye and object tracking even when the subject is in motion, benefiting photographers and videographers alike. The STM motor ensures a quiet autofocus experience with minimal focus breathing, another crucial benefit for videographers. Formatted for cameras with APS-C-size sensors, the 85mm full-frame equivalence is appropriate for portrait photography, close-ups, and capturing distant subjects with blurred backgrounds. The lens features extra-low dispersion and high refractive elements that contribute to the unit's reduced size while enhancing optical performance and minimizing flare and ghosting. The 11-blade aperture diaphragm design contributes to the lens's soft, appealing bokeh.